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Showing posts with label courage. Show all posts
Showing posts with label courage. Show all posts

Tuesday, July 24, 2018

The Mad Wolf's Daughter by Diane Magras

This Scottish medieval setting with castles, knights, and bandits is a bullseye for my tastes. A slow-paced story, even if it is good, can be like walking in deep sand for me. My natural pace is to clip along like a sail boat over white-capped water. Fantasy is my go-to, not realistic fiction. A strong female character who is impulsive, determined, and athletic as Drest is in this story grabs my attention. There are some fantastical parts, but most of "The Mad Wolf's Daughter" stays grounded as a knight tale with a monarchy under threat. The plot builds tension that rewards the reader with some twists that had me turning around and rereading the book. At 260 pages this was easy. 

Twelve-year-old Drest is a strong "lass" and not your typical "maiden." Her five brothers and dad, legendary warriors, taught her to wield a sword and live by an honorable code. They also taught her to intimidate with name-calling such as "maggot-headed squid" or "grub-spotted barnacle". Name-calling doesn't work most of the time but does spice the story with humor. The men in Drest's family have a war-band and are captured by the Knights of Faintree in a battle that only she escapes. A wounded knight, Emerick, is left behind becoming her bargaining chip to free her family from a public hanging in five days. Drest sets off to save them and has adventures along the way discovering who she is and what she wants to be in life. She's tough. She's naïve. She's determined. 

Drest's strengths and shortcomings show a girl that is afraid and impulsive but overcomes it with courage, loyalty, and a strong moral compass. Emerick counters her impulsivity with negotiation making her think about her actions. He stresses that words are a great weapon, if not greater than a sword. Initially, Drest uses her sword to do the talking almost killing another boy and rushing at a man who could have wounded her with a hidden dagger. In both cases she was defending someone who was being treated unjustly and while her strong sense of justice when someone is being wronged is admirable, Emerick tries to drop a pebble in her constantly moving body that she doesn't need to plunge blade-first into every melee she stumbles across. Words have power too, he stresses. She uses words with her enemies later and grows to understand that while her brothers and fathers are "bloodthirsty warriors" she cannot kill another person. As her friend Tig claims, she is a warrior with a "good heart." Drest's shortcomings create a sympathetic versus judgmental character that makes her more authentic for me.

Minor characters are well-crafted not drifting from the overall story arc. The brothers are developed with Drest talking to them in her imagination. She envisions what they would say in different situations that comforts and helps her make decisions while maintaining a swift pacing. Jupp is not a one-dimensional villain. Emerick turns from enemy to friend. Tig is a funny sidekick that worships Drest for her kindness as well as her fighting skills. He has a pet raven, a symbol of Celtic goddesses and witches in myths. He says he's a witch although no special powers appear. Both Drest and Tig are trying to find their identity as they move from adolescence into adulthood.

The witch, Merewin, says that Drest saving her is "extraordinary"; however, we never find out why. Merewin is mysterious, magical, and unpredictable like a goddess from a Celtic myth. The yellow dust she has as a trap in her hut is not explained but it hurts Drest. Does the dust show Merewin as a witch with magical powers? Does it allow her to follow Drest? GPS dust? Just kidding. Then a stag shows up which is a Celtic symbol representing freedom or the pursuit of wisdom, etc. Stags were hunted and a common motif in medieval Scotland. The stag appearance foreshadows Merewin who is currently being hunted and marginalized by society or in this case used as a scapegoat for a death in the village since she is a healer. The name Merewin is close to King Arthur's advisor, Merlin. I kept trying to connect it with King Arthur but it seemed to be presenting an opposite advisor than in that story. Is she Drest's relative? My guess is she knows something about Drest's mother who is absent and no explanation given as to what happened to her. Perhaps a sequel will address? Merewin tries to give Drest advice but realizes Drest doesn't need it. She does look after her basic needs on her quest and gives warnings (that Drest ignores).

Merewin is connected more with the history of witchcraft in cultures and how women healers were unfairly blamed for village deaths. This feminist focus gives the story its own shape keeping it from drifting into myths and focused on the oral tradition of legends. Drest's adventures expose her to what defines her family's legend throughout the region. Some is good, bad, and exaggerated. Drest is creating her own legend with the reader as well as the community. She inspires with her sense of justice and teaches what it means to be brave and kind in bad situations. Even in the worst of circumstances she doesn't give up or succumb to fears. 

The overall story arc is well done. William Kenower writes in his book "Fearless Writing" about three narrative arcs: physical arc, emotional arc, and intentional arc. The physical arc can be a story that follows a formula of some sort. This story is the hero's journey: a girl embarks on a quest, has adventures and trials, is betrayed, fights for her life, and is changed by the journey. The emotional arc looks at characters motivations. Drest is motivated to rescue her family and then others as the journey proceeds. She thinks that she is a great warrior like her brothers but discovers she isn't "bloodthirsty". She realizes that she  doesn't have to embrace her family's legend but can make her own. The intentional arc is the reason behind telling the story. This probably has many answers but the one that stuck with me was Drest as a representation that girls can be strong and true to themselves as they find their own way in the world.

The repetition and emphasis on storytelling as a way of orally preserving history presses throughout Drest's tale. Tig tells stories about Drest the warrior maiden who rescues people. He repeats certain phrases and the author attempts to mimic some oral traditions. Tig is creating his own story on his quest and develops in confidence on the journey. Drest's dad and brothers tell stories of their battles around the camp fire but leave out the negative parts of the story. When Drest hears alternative tales of her quest it makes her question her brother and father's choices. She questions their choices and forces them to think about some of their actions. Drest asks Jupp his story. At the end, her Dad says they trained her better than he thought. She says, "Maybe you did, or maybe it was just me." She's writing her own story.

By continually pointing out this rich tradition of storytelling the author implies that she is carrying on the craft by sharing a story from her own imagination. She also acknowledges through the characters that legends don't always reflect the truth. They might try to represent history but oftentimes are partial truths. A listener or reader needs to think critically of legends. The best part of storytelling for me is the sharing of a story where I can enter into a character and see some truth about my life or better understand the world while having fun in an imaginary setting. I can chew on that kind of story.

5 Smileys

Thursday, May 10, 2018

Aru Shah and the End of Time (Pandava Quartet #1) by Roshani Chokshi

Saving the world and fighting a demon sounds easier than dealing with school and friends for Aru Shah. Her constant push to try and fit in has meant exaggerations and lies to classmates. When a trio of 7th graders show up at the Museum of Ancient Indian Art and Culture where she lives with her mother to see if she is in Paris for the holidays, she has to do some quick lying again; however, her classmates ain't buying it. The bullies are convinced that Aru doesn't belong at their elite prep school where fancy cars and exotic trips are the norm. Her world involves taking care of herself while mom is off on trips and giving museum tours for fun.

When the classmates dare Aru to light a cursed antiquity lamp she ends up awakening the Sleeper... oops. She thinks of her mom's warning to not light the lamp, like those “generic warnings parents gave to kids, like 'Don’t go outside without sunscreen or you’ll burn!' Or, as the woman who ran the local Hindu temple’s summer day camp liked to remind Aru: 'Don’t go outside without sunscreen or you’ll get darker and won’t find a husband!' Until it happened, who cared? Aru had never gotten sunburned, and she really didn’t need to find a husband at age twelve." She didn't really believe her mom and had no clue she'd have to battle a demon. Great dialogue, fast pacing, funny gods and hysterical characters make this a winner for fans of Rick Riordan's books. Roshani Chokshi's uses familiar fantasy tropes and much of the humor is a parody of hero narratives while following the monomyth. A laugh-aloud middle-grade adventure using Indian mythology.

After lighting the lamp everyone freezes and a guardian who helps Aru on her quest comes in the form of a snarky pigeon. The author is poking fun at several fantasy tropes. Here the guardian is in a frail body and frustrated that he has to mentor a young girl. Aru is the reincarnated soul of one of the Pandava brothers from the Indian epic poem, Mahabharata; however, she lacks the wisdom and athleticism found in the poem's male heroes. Aru thinks of the pigeon as a “rat with wings” and is not impressed by him either. Meanwhile, the pigeon knocks her for being a kid hero and sees the world ending versus her saving it. When she looks at her frozen mom and classmates asking if they would be stuck that way, the pigeon answers: “It’s temporary,” said the bird. “Provided you aren’t riddled with ineptitude.” “In-ep-tee-tood? Is that French?” The bird knocked its head against the wooden banister. “The universe has a cruel sense of humor,” it moaned. Aru may be green when it comes to quests but she proves her bravery as the plot moves forward.

When Aru links up with another reincarnated soul it comes in the form of Mini, a slightly neurotic girl obsessed with germs, Oreo cookies, and death. When Mini shoves an Oreo cookie into Boo's mouth he says, “What ambrosia is this?” He smacked his beak. “Gimme more.”Mini quotes dictionaries and medical books and can't believe she was chosen for the quest instead of her brother. She diagnoses Aru when she talks back to Time explaining that Aru has “Type One Insufferable-ness.” Her character arc progresses from a kid who shrinks at danger to one accepting the inevitable task of saving the world. When Mini first meets Aru, she asks, “I hope you don’t have a bee allergy. I only have one EpiPen. But I guess we could share? I’ll stab you, you stab me?” The pigeon getting a double-dose of inept heroines does a face-plant asking "whyGodwhyme." The heroes embrace the poster-boy or girl image of a superhero from Aru yelling Batman sayings, wearingSpider-man pajamas, asking Boo for capes, to elbow-bumping instead of fist-bumping with Mini. Germs on the fist, Mini points out, and Aru thinks capes are like blankies that bring comfort to superheroes.

Spoiler alert - okay... I might be telling too much of the story at this point. You could maybe read the next paragraph.


On their quest, they search for "celestial" weapons to help them save the world. They dream of magnificent, heroic swords to wield and instead get a bouncy ball and compact. Mini bangs her compact on the ground hoping it will start working during one scene where they are facing the enemy. When the weapons do activate the heroines have no control over them. They also remind characters throughout that they are heroines, not heroes. They are told that heroines are demanding and brave while the heroes let their magical sidekicks do all the work. Part of Aru's character arc is realizing that being overlooked and not considered worthy opponents could be used to her advantage. Their physical weaknesses are a strength. Plus, she's funny as she thinks stuff such as “And it stood to reason that if you were even a little bit divine, you should not have a unibrow.” She also learns that heroes doubt themselves. At the climax, she discovers that the definition of heroism was fighting for the people she cared about in the world.

Spoiler... I think. The next paragraph might be okay too.  Can you tell I don't quite recognize if I'm spoiling it for the reader?

While the author uses Indian culture and mythology, I kept thinking of Western folktales as well. There was an east-west blend for me. Parts reminded me of the Phantom Tollbooth ...perhaps because they end up in a tollbooth. Actually, the puns, word plays, and wit are what reminded me of it. From Polly Esther to the "-allys" it is pretty funny. Or the scene where the dead speak sentences backward because they can no longer go forward. Their third test is to get the celestial keys and one of the trials is to take a bite out of adulthood which Aru does literally when she finds a book titled, “Adulthood”. I like the imagery of a young protagonist that is coming-of-age taking a bite out of adulthood literally and figuratively. Great chapter headings such as “#1 on Mini’s Top Ten Ways I Don't Want to Die List: Death by Halitosis" add to the humor along with pop culture references such as Johnny Cash. Aru wants to nickname the bird "Sue", short for Sabula, but he says he is male. She asks if he's heard Johnny Cash's song, "A Boy Named Sue" which is about a boy named, Sue, who goes to kill his dad for naming him a girl's name only to find out that the dad said he named him that to make him tough. She settles on "Boo" for a nickname.

Okay, stop! Now I am definitely spoiling the story. If you have a great memory you might not want to read on.

The legend of Shukra is the author using her own creative powers that mixes folktales. Aru and Mini must cross the Bridge of Forgetting that is guarded by Shukra, a man cursed for killing his wife out of vanity. He is surrounded by mirrors as protection against memory-stealing snowflakes and anyone that wants to cross must give him all their memories or fall into the "fires of hell and be forced into the next life". He is a metaphor for the choices people make in life. He does not want to break the mirrors because bad karma will follow him into the next life. As he begins to steal Mini and Aru's memories, Aru goes after him but is cursed in the process. He reminded me of Marley in "A Christmas Carol" who forged long chains through greed. Shakru's "chains" are his mirrors and vanity led to him murdering his wife. He discusses being robbed of the past, present, and future. He's talking about karma but I kept thinking of the ghosts of Christmas past, present, and future. It's the same idea. The mirrors also reminded me of the Snow Queen and shards of glass that cursed the children in the story. Here, Shakru curses Aru as he moves on to reincarnation.

Aru's character arc involves coming to terms with her lies that are good and bad. She tells Mini the truth for the first time when she is exposed for not telling Mini she lit the lamp in the first place. Aru realizes that she lies to imagine “the world as it could be and not as it was.” She pulls out Adulthood coin upon this realization showing her growing up and coming-of-age. When Mini rejects her in anger at lighting the lamp, Aru reacts with courage and anger. She doesn’t roll over. She thinks about stories and how they are told: "The truth of  a story depends on who is telling it." She can write her own narrative. 

In another trial at the Palace of Illusions, Aru must escape her fears of being abandoned by her mother and being alone. She thinks, “People are a lot like magical pockets. They’re far bigger on the inside than they appear to be on the outside.” The Palace is alive and creates an illusion where Aru thinks she will die. She has to look at herself to escape the illusion, a metaphor for having to realize that her illusions and lies stem from fears. I think. The idea isn't really hashed out enough. I do find the Palace represents childhood and what is left behind when becoming an adult. It cries and tries to keep Mini and Aru kids by giving them everything they wish for and playing with them such as riding bikes and eating ice cream. A child's imagination dims over time and that is worth crying over. The Palace gives the two girls a tile to remind them of it and "home". The tile can be a metaphor for adults who hold on to their imaginations and memories of childhood can be storytellers in society. The Palace says “It is better, perhaps, to be thought of as a fiction than to be discarded from memory completely.” Again, the ideas are not completely fleshed out and it is up the reader to put their own interpretation on the plot. I felt teased by many of the metaphors but thought some of the thoughts came up short. A fun and funny book.

4 Smileys

Friday, March 16, 2018

The Hate U Give by Angie Thomas

African American Starr Carter lives in an urban ghetto but goes to a prep school in the suburbs with white students. When she witnesses a friend, Khalil, murdered by a white police officer, she has to decide whether to speak out or not. This story has many themes from family relationships to police brutality to interracial relationships. The author creates an authentic voice in the protagonist with plenty of action and ideas to critique as a reader. Overall, the story is well-crafted with a few long-winded spots. If you want a look into the hood and the issues arising from it, I highly recommend this book.

The protagonist Starr, loves rapper Tupac Shakur, and weaves rap music discussions in with dialogue as a means of explaining oppression within the community. Tupac's father was a Black Panther and embraced Marxist ideology teaching Tupac that the capitalist system was responsible for the destructive nature of black communities. The activism of the Black Panther's is different than the activism that has evolved in hip-hop music. Tupac's songs give autobiographical details of his life that speak about his struggles against violence and unfair odds that are a social commentary on black life. His activism for change is through music; whereas, the author tries to be an activist through her character, Starr, giving a social commentary on institutionalized racism and poverty using ghetto narratives and metaphors.

The rose is a metaphor from one of Tupac's songs. Maverick, Starr's burly father, struggles to grow roses in his garden, but he keeps at it and nurtures them so that they keep surviving as the family moves. The conundrum of ghetto poverty and violence and Maverick's love for the community, his identity, and desire to change it is captured well. The black community has been fighting for equal rights since the civil rights movement while dealing with economic suppression and unequal treatment that makes it difficult to change the cycle of poverty. The only time the gangs unite is when they fight together against institutionalized police brutality. Tupac struggled with the ideology of capitalism knowing that it could improve his life but was also destructive to the black community. Capitalistic systems excluded blacks from participating equally through oppressive measures whether through the justice system or police.

Author Angie Thomas attempts to imitate rap artists, such as Tupac and his real-life street narrative in prose. Jason Reynold's in "Long Way Down" does the same thing using poetry. Derrick Aldridge in the article, "From Civil Rights to Hip Hop: a Nexus of Ideas", discusses how Tupac in the album, "Thug Life", comes to terms with capitalism believing that the underground economic structure of drug dealers, pimps, and gangs of the black neighborhood will always be functional if oppressed blacks are left out of the capitalist system. Because blacks cannot participate in the capitalist world, they turn to drugs and gangs as a way to deal with oppression; hence, when Khalil's grandma loses her job because of side-effects of having cancer he turns to selling drugs to support his family. His mom is an addict and he's trying to support his brother and grandma. Pride makes him not ask others for help and his only economic option is drug selling.

The dad, Maverick, was in a gang and gets out by taking the fall for a robbery and going to prison. His wife is the breadwinner in the family and they make enough money to send their kids to prep school. They could leave the neighborhood but Maverick doesn't want to. The father shows the conflict that many hip-hop artists sing about when they make money and get out of the hood. According to Aldridge, this growing black business class is trying to define strategies for future economic growth that will help these neighborhoods. These artists and Maverick (who runs a store) are now participating in a capitalist system and are trying to figure out strategies for the black community that moves from oppression to equal participation in society.

The interracial relationship between Starr and her white boyfriend, Chris, was a bit superficial for me. I thought "Americanah" and "The Sun is Also A Star" are two books that dig more deeply into the complexities of relationships and different cultures than this book. I am being somewhat nitpicky here and doubt my students would agree with me. Angie Thomas uses their relationship to introduce some of the issues of identity and does try to give it depth - like I said, probably too nitpicky. We are discussing this for book club and I can't wait to get the student reactions.

5 Smileys

Monday, November 7, 2016

The Hammer of Thor (Magnus Chase and the Gods of Asgard #2) by Rick Riordan

Norsk myth is not as vast as Greek or Roman myth when it comes to the gods. The fragmented Skaldic poetry is difficult to decipher with its kennings and the narrative framework is skeletal at times. However, they are rich in meaning showing pre-Christian beliefs and practices in a dramatic narrative. A good storyteller retells the myths in new versions that are their own but also represent the originals. Rick Riordan does just that crafting heroes, gods, goddesses, and giants from myths that are a twist on the original tales with contemporary conflicts and pop culture adding humor and unique characters. Take Heimdall, the god that guards the Rainbow Bridge; he loves to take selfies on his phablet and checks out the world only through those selfies. He's bored and no longer doing his job particularly well which is to listen to threats in the world. The heroes of the story have to coax him back into doing his job.

Riordan layers his characters with themes presenting them as entertaining stock characters or contemporary ones giving depth to the story. Thor is presented as an egocentric dork that loves to stream movies and take the credit for everything along with his wife, Sif, who is vain; yet, both come through when needed by the heroes. Thor was the most popular god for the average person in ancient times. In the Icelandic Sagas by Snorri Sturluson, the adventure he tells of Thor and Loki where Thor poses as a woman marrying Utgard-Loki is full of humor and loss of face for Thor. Riordan weaves this story brilliantly into his plot so that the humans have to face the similar issues, but with the help of the gods are able to outwit the giants.

Riordan also peppers his stories with strong females. The Utgard-Loki marriage shows the female giant is the brains of the operation. The children of Loki are gender fluid characters, Alex and Sam. They are complex, strong, and vulnerable as they search for their identities. Alex can't control her gender changes and has suffered prejudice from others her whole life. It makes her or him aloof and temperamental, but Alex embraces his or her identity and is more confident than Sam, her sister. Sam is gender fluid as well but has never changed into a boy. She is a devote Muslim that works for the gods and while her religious identity is solid her personal identity is shaken as Loki can control her.  Alex says it is because she has not embraced her gender fluid side. Her character arc is not finished and it will be interesting to see what happens in the sequels.

The Viking myths, according to Kevin Crossley-Holland in "Norse Myths," relied on the family unit as they were stronger as one versus individually. They were fiercely loyal to friends and family and they strongly believed in Fate; however, Fate didn't give them a negative outlook - instead they admired those who laughed or endured a noble death. Riordan captures this in his books. The overarching message is that the protagonist, Magnus, values family whether they are blood relatives or not. His adventures carry the strong theme of courage, loyalty to friends, and embracing diversity in each other.

Skaldic poems contain myths, eulogies, and elegies that celebrate people or gods during the 9th to 13th century. They are difficult to understand because of their metaphorical references to contemporary people. The word, "gold," might mean "Freya's tears," and a modern-day reader would have to know the story of Loki tricking Freya by cutting off her hair and replacing it with gold to understand the poetic line. Riordan pokes fun at kennings making up his own or using some originals. My favorite made-up line is directed at Thor, who is referred to as, "Bright Crack" and Alex making a wisecrack about a "Plumber's Crack". Actually, Thor's hall is called, "Lightning Crack" or "Bright Crack" or "Bilskirnir".  Other metaphors difficult  to interpret are: "Bane of wood", that means, "fire"; or "bloodworm", that means "sword." Riordan adds much humor using irony and play-on-words.

The story of the cursed ring  is cleverly worked into the plot (I guess if I had to make up a kenning I'd call it, "Andvari's tears"). It takes the original Norsk tale and places it in a realistic portrayal of a deaf elf whose father has rejected him and blamed him for the deaths of his son and mother - a universal theme that readers can relate to today as much as in ancient times. The ring corrupts the bearer in both the original and here, and the reader will have to wait for the sequel to see what happens to the elf's father. Between Sam's unfinished business and the deaf elf, I'll be picking up book three.

4 Smileys

Saturday, July 30, 2016

The Wright Brothers by David McCullough

On a date with my husband 33 years ago we went cross country skiing at a challenging and hilly course. He had skied the Birkebeiner in Wisconsin and was on the cross country ski team in high school. On one steep, icy hill my ski went out of the track into the opposite one for oncoming ski traffic going up the hill. Straddling both tracks and yelling I had a spectacular crash at the bottom that released my skis like javelins in all directions. He skied down the hill like he was on ice skates, swished both skis together to a full stop and extended a hand to help me up. My cross country skis have a high or stiff camber that allow me to fly down hills completely out of control at high speeds. Great fun. Orville and Wilbur had problems with camber in the second design of their plane as experiments up to that point had a camber ratio that affected stability and caused the plane to crash. Their patented wing warping design had them experimenting with the camber to discover the ideal ratio for their gliders. The camber issue made me think of all my skiing fiascos.

One strength of this book is showing how the Wright brothers experimented, tested, improved, and did not give up in their pursuit of flight. They represent the engineering design process that educators teach to students in elementary school and up. And the author mixes in the human side of the Wright family with their aeronautical achievements to make a highly readable, educational, and entertaining book. As public figures, Orville and Wilbur did not seek nor celebrate fame, but were true to their sole purpose of learning to fly. Their sister Katharine was high-tempered ("wrathy"), opinionated, loyal, and caring. She was the spitfire of the three and added color to the the brothers' story. Wilbur was brilliant and Orville a mechanical genius. The family had arguments but was mainly close and supportive over the years.

The Wright brothers had a successful bicycle business for many years before the idea of flight consumed much of their time. They built a glider and tested it at Kitty Hawk, a rugged island on the Outer Banks of North Carolina where the wind always blew. Living out of a tent they refined and tested their planes eventually succeeding at flying one. They added an engine later in the designs. Katharine helped manage the bicycle business while teaching at a nearby hospital and Charlie Taylor ran the shop while they were at Kitty Hawk as well as being critical in building the engine the Wrights' used on one of their gliders.

Once they had accomplished successful flights, the Wrights had problems with legitimizing their claims of success with the U.S. government. Part of this was their way of going about business. The brothers were afraid of others stealing their ideas and were waiting for a patent so they would not fly for anyone unless the interested party signed a contract before their demonstration. The U.S. government was not interested in their proposition, but France was and Wilbur went there for demonstrations and a contract. The publicity made the U.S. take interest. Later the U.S. army offered a contract and Orville provided demonstrations. After a serious crash, Orville was nursed back to health by Katharine while Wilbur continued with demonstrations in Europe. Orville and Katharine joined Wilbur in Paris and they met with kings from different countries and other influential people. They were a sensation and enjoyed the fame while their father, a Bishop, continually reminded them to stay grounded.

The Wright brothers were self-educated and persevered no matter what the set back. Their educated father had an extensive personal library that allowed for the children to read the likes of "Dickens, Washington Irving, Hawthorne, Mark Twain, a complete set of the works of Sir Walter Scott, the poems of Virgil, Plutarch's 'Lives,' Milton's 'Paradise Lost,' Boswell's 'Life of Johnson,' Gibbons' 'Decline and Fall of the Roman Empire,' and Thucydides. There were books on natural history, a six-volume history of France, travel, 'The Instructive Speller,' Darwin's 'On the Origin of Species,' plus two full sets of encyclopedias." Once back in the U.S. the brothers, particularly Wilbur, spent many years on patent lawsuits that David McCullough skims over. This is a fairly short book and is not highly technical. This may appeal to some and to others they might want less camber. The pacing and mix of technical and human side of the Wrights was just right for me. See if it's Wright for you.

5 Smileys

Sunday, May 29, 2016

Dare to Disappoint: Growing Up in Turkey by Ozge Samanci

This graphic novel is well done, but I'll have to send it up to the middle school library as it is too young adult for elementary students. Ozge Samanci's minimalist illustrations and dry sense of humor make this an excellent look into what it was like growing up in Turkey. The heart of the story is about Ozge trying to figure out what she wants to do in life and the difficulty of trying to live up to her father's expectations and imitate her brilliant older sister. She recounts the political and cultural upheavals growing up and the dangerous culture she lived in. A near rape, prejudice from extreme ideologies at school, and fierce competition of trying to make it into prestigious schools make this a page turner. Ozge never takes herself too seriously though and the humor and lightness balance out the dark incidents. A terrific read.

Ozge grew up in a middle class family with two parents that were educators and nonreligious. They raised Ozge to be strong and wanted her to have a good job. Getting into the top high schools and universities was competitive and difficult. Ozge chronicles this difficult journey that show flaws in an educational system many will relate too. Her path of self-discovery follows first in her sister's footsteps and she fails, next she tries to follow her father's path and fails, and last she tries to follow her own heart and fails. She never gives up and finds, with the help of family and some loyal friends that help tutor her through her classes so she can pass, that she is able to discover her passion for drawing. It is the failures and resilience to learn from her mistakes that are a part of Ozge's journey of discovering what she wants to do with her life - something we all can relate to. She is one brave person that is easy to cheer on as she works through issues.

The author does a good job explaining the different leaders of the country and how they affected her country. A funny bird crops up on many of these pictures with some wisecrack comment. She shows the leaders saying one thing but doing the opposite in private while the bird hangs upside down on the president's speech bubble saying, "Liar." Later, she's trying to get the courage to tell her mom about her teacher's corporal punishment of all the students in the classroom and the bird is making light of the incident. Ozge is a strong-willed girl willing to stand-up for herself. She's a bit of a loose cannon as a young kid and her yellow hair that shoots out all over the place reflects her high spirits. There are pictures of her friends with rock star posters in their bedroom and Ozge has Jacques Cousteau because she's going to be a famous diver. Later, she humorously "talks" to Poster Jacques trying to sort out what she wants to be in life. The page where she is suspended for speaking her mind at school and criticizing the play chosen for the theater production is a hoot. The close-up photo of the suspension letter with her miniaturized and sliding down its folded edge off the page with the bird and its speech bubble saying, "Bye," is one of my favorites. I'm sure you'll find your favorites too.

5 Smileys

Thursday, March 17, 2016

Lilliput by Sam Gayton, Alice Ratteree (Illustrator)

Lilliput is a spin-off or fan fiction of Gulliver's Travels by Jonathan Swift. Gulliver has gone to the land of Lilliput and kidnapped Lily so he can restore his reputation and prove to the world that his travels were the truth. He is so bent on this mission that he does not see the immorality of holding a person captive against his or her will. When Lily puts Escape Plan Thirty-Three into motion she has just about given up hope. She is helpless against Gulliver's tyranny and authority. It isn't until the clockmaker's apprentice finds her plea for help in a message that her escape plans start to work and the two become friends along the way.

The author, Jonathan Swift, in his classic, Gulliver's Travels, satires politics and the mindset of people during his time. This was The Age of Reason where science and technology were used to justify systems and beliefs. Religion was losing its power and Swift saw a danger in this as people's reasoning was rationalized by science at the expense of human dignity. Science was replacing religion and Swift did not agree with it because it was at the expense of spiritual morality and human rights. Sam Gayton in "Lilliput," exposes this notion in the character, Gulliver, who says he is a man of reason; yet he holds Lily captive for six years torturing her when she tries to escape. He uses science and does not see Lily as an individual but a way for him to enlighten the world. Gulliver's reasoning, self-centeredness, and lack of morals cost him dearly in the end.

The character of Gulliver needed a bit more development. His change of heart and the redemptive ending was not clear to me. What made him see Lily as a human being when for six years he was the authoritative tyrant over her? Was it seeing her in a different cage by a different person? Or was it seeing the apprentice in his abusive wristwatch strangler? While I really liked Gulliver's flawed character, I needed more information on his motives in order to get a clearer picture of why he acted the way he did at the climax. It seemed abrupt.

The play on words, puns, references to the classic, and scatological humor have strong audience appeal.Young readers will relate to the characters that must submit to the authority of adults that are narcissistic and misled in their goals in life. Mr. Plinker is more of a one-dimensional villain who is ensconced in greed; whereas, Gulliver is more complex and is a good person who makes a series of bad choices justifying them in his cruel actions. I have not read Gulliver's Travels since it was required in middle or high school and frankly I cannot remember any of it. This makes me want to pull it out and give the "flimbip" - I mean Emperor Flimnap - a go again.

4 Smileys

Monday, November 30, 2015

The Boys Who Challenged Hitler: Knud Pedersen and the Churchill Club by Phillip M. Hoose

When Germany invaded Denmark in World War II, there was no resistance or fighting from the Danes. Knud Pedersen was fourteen and disgusted that his country did nothing in wake of the takeover. He and his brother met with other boys at their school and formed a resistance unit modeled after the Norwegian resistance and British Royal Air Force (RAF). They began fighting the Germans by switching up German signs confusing arriving soldiers with misdirections. With their bikes as their weapons, they added cutting the German communication wires next and vandalizing vehicles. Police offered a reward for the capture those responsible, but Knud and his brother moved to a different city starting a new club.

This club was named, "The Churchill Club," and the brothers along with eight boys targeted homes, offices, and stores of Nazi sympathizers vandalizing them. They left a calling card in blue paint whenever they struck. The club included about ten passive members that supported them with supplies and money, but who stayed out of the action. Their actions became bolder committing arson and stealing weapons from German solders before getting caught and sent to prison.

The story reads like a narrative from Knud's point of view. Text boxes containing facts, maps, primary photos, and Knud's sketches add to the depth and richness of the story. I read this on the Kindle and I would have probably preferred the book. The separation of text features is limited in space on the Kindle as it only shows one page at a time. I got the idea and saw the separation by a bold black line but I had to enlarge the photos to see some details and the maps were unreadable unless enlarged. You might want to consider what format you want to use when reading this book. A fascinating look at children making a difference in the world.

5 Smileys

Saturday, September 26, 2015

A Nearer Moon by Melanie Crowder

Some writers make every word count. They are so succinct and efficient at the craft that what would leave others scrambling for extra sheets of paper, they can wallop a manuscript out in fewer words. Melanie Crowder does that in 150 pages. Her poetic prose is rich with meaning, characterization, and plot that makes for a satisfying read. Two sisters are playing together when an accident happens and one becomes ill with a wasting disease while the other does everything in her power to heal her out of love and guilt. This story looks at grief, disease, community and sisterhood and what it means to be resilient in the face of terrible odds.

Luna lives on a swamp where the water is dangerous. It wasn't always that way. Luna's grandma recalls when the river flowed clear and was swimmable until the day the earth shook and trees fell forming a dam that created an inky sludge of backwaters. The villagers put their homes on stilts and created swinging bridges as sidewalks to get around and used boats for transportation.  Any villagers that accidentally got swamp water in their mouths became infected with a wasting sickness and died three weeks from the day. Rumor is that the swamp is cursed and a creature lives below the waters, but Luna doesn't believe it.

Luna loves to pole through the waters on her boat with her younger, joyful sister Willow. One day the two are having a hey-ho time with Willow laughing hysterically as Luna spins the boat. Out of nowhere the boat dips down into the water and Willow gets the murky swamp water in her mouth. Sure enough, symptoms of the wasting sickness appear and Luna does everything in her power to cure Willow. While the reader knows what pulled the boat down, Luna does not and the reader is not sure why Willow was a target. The answers are slowly revealed and paralleled with two points of view.

Luna's story alternates with Perdita's, a sprite who loves to wander and adores her twin sister, Gia. The magical world of sprites is disappearing as more humans appear and dig metals out of the earth. Most metals poison sprites and they can no longer coexist with the humans so they portal to other worlds. The world of magic and make-believe exists in the vast imaginations of children. As they grow up they lose this to some extent as they gain scientific knowledge and explanations. In this story the adults no longer believe in magic and they can't help cure their sickness because they lack the imagination to realize a sprite lives beneath the waters.

At first Luna embraces science and tries to get a doctor to heal Willow. When the doctor says there is nothing he can do, Luna tries to drain the swamp. She goes through all the steps that others have tried and that have not worked. Sometimes science fails with curing or diagnosing diseases and a loved one dies. Luna faces this dilemma but it doesn't stop her. When she embraces the fact that something magical might be happening then she gets results. Unexpected results. Reading fantasy stories means believing in that which is unbelievable, but that can point to truths in everyday life.

Luna learns the satisfaction of trying to do everything she can and that alone gives her peace at the end. It is not the goal so much as the process that is important. When playing soccer the teams that do the best are the ones that don't think about the score but focus on doing what they can and working together as a unit. The same happens in this book except Luna has to work with her best friend, Berry, and less so with the rest of her family. Her uncle gives her a book with a tip on dealing with magic, but people don't really believe in magic anymore. Her mother is so absorbed in her grief and anger that she cannot see how Luna is hurting or her harshness. Luna's grandma refers to moon charts hoping for a cure. In their own way, the family is trying to deal with the hurt and grief but Luna takes the most action out of everyone. She tries the hardest and that is a message we all need to hear over and over again.

Luna's mother has already lost her husband and the thought of losing another family member has put her over the edge. She spends her days in the chapel and has given up hope. Unlike Luna who feels guilty that Willow got sick on her boat, she takes action while the mother seeks comfort in religion. One poignant line shows the difficulty of grief: "Mama had left early that morning taking her frightened fury up to the chapel where it wouldn't lash out like a bent branch and strike Luna's already bowed back." Paralleled to Mama's grief is Perdita's or Perdy's. She has let sorrow turn her into something ugly. She can't stand to see joy in others so she snuffs it out of their lives.

The heart of the story is the bond between sisters. The alternate story strengthens Luna's as it shows how Gia did everything in her power to create a link between herself and her sister so that she could call her home whenever she was wandering. This metaphor reminded me of the parable of the lost son a bit as Perdy is lost but redeems herself when found again. The powerful bond of families and siblings is another theme. Just talk to a grieving person as they talk about going "home" to see the loved ones that have died before them. Just like Gia and Perdy are separated by worlds, so are humans by death from those they love.

Members of the community didn't leave when the river changed, because it was home where their grandparents and "...great-great grandparents had first taken a felled tree and carved a boat to winnow through the streams." Luna's community came together during the river crisis and they helped each other and cared for each other. They still do. I feel a bit like Perdy. A wanderer. One that uses Skype as my magical locket to see those I love. Home for me will always be where I grew up; where my great-great grandparents first migrated to the United States. But home is changing now. My daughter lives in a different state with my grandson. I've lived in different countries. But the one constant has always been my family and that is ultimately what this story is about - being loved, having a home, and doing your best.

5 Smileys

Thursday, September 24, 2015

Hilo Book 1: The Boy Who Crashed to Earth by Judd Winick

I grew up in a family of five like the protagonist, D.J.'s, with constant chaos in the kitchen as everyone hovered around the fridge trying to snarf down whatever morsels were available. We ate so much that my mom stored 16 boxes of cereal in the stove one day because they couldn't fit in the cupboard. I preheated the oven for my pan of brownies and lighted a boo-scary bonfire. Smores were more in order than brownies. Judd Winick captures not only big-family life, but the difficulty of trying to find yourself when you have no outstanding qualities in a household of talented siblings. D.J. doesn't know it, but he has plenty of character - good character - and this is oftentimes more important than talents. Not until Gina moves back and the superhero alien, Hilo, crash lands into D.J.'s life does he start to accept who he is inside.

As D.J.'s family is grabbing food in the kitchen, they become suspicious of his new friend, Hilo, especially when Hilo starts eating a napkin. The quick-thinking D.J. distracts everyone by revealing his older brother has a girlfriend. Yes! It is always fun to draw parental attention to the older sibling as they are usually the one getting the more unsophisticated younger sibling in trouble. Can you tell I was low on the totem pole like D.J.? Don't read this book while scooping spoonfuls of cereal into your mouth. Superhero Hilo will have you snort-laughing milk through your nose.

Like I said before, ten-year-old D.J. believes he is not good at anything in his family of five siblings where everyone else is spectacular at something. He was good at being a friend to Gina but she moved away. Hilo (pronounced high-low) missiles from the sky to earth making a crater where he is discovered by D.J. in only a pair of silver underwear. D.J. befriends Hilo whose "memory is like a busted book" and takes him home to give him some clothes. Hilo is pretty clueless about how to dress and greet people, but has a golly-gee attitude that makes him never become negative whether he is facing robot insects destroying Earth or being smashed into the ground like a cartoon character in Looney Tunes.

Running gags and great pacing add to the nonstop humor. While this story is different in plot and characterization, it reminds me a bit of "Timmy Failure" and "Monster on the Hill" although Timmy is a complete dork and Monster on the Hill has a boy trying to help a monster find his scary side so the town will be proud of him. Timmy is a dumb cluck, the monster story is full of irony, and this one brims with a spunky superhero that is endearingly weird. What they all have in common is they will make you laugh, laugh, laugh and the illustrations are terrific. Judd Winick, who is well known for his successful superhero adult comics, says that he read Jeff Smith's Bone series with his son and decided to create a comic for the younger fare. As Hilo would say, "Outstanding!"

When D.J. first meets Hilo he screams, "Aaah!" to which Hilo says, "Is that a greeting? I like it! Aaah!" Everytime he meets anyone Hilo yells, "Aaah!" Hilo keeps scaring D.J. in different situations but thinks his "Aaah's" are hellos making me laugh every time. When he meets Gina who has returned after three years Hilo greets her with a, "Aaah!" When he meets D.J.'s classmates he says "Aaah!" followed by his gee-shucks, "I love that greeting," to the annoyed teacher's face who wonders who this smart-aleck is in front of the class. Meanwhile D.J. is sitting at his desk covering his face in embarrassment. When Hilo burps for the first time he thinks it is the coolest thing. When he burps a second time he and D.J. laugh hysterically like typical kids. D.J. says, "Repeat business," to which they laugh so hard they are holding their stomachs and stomping their feet. The burping continues periodically in the story to which Gina at one point comments, "Why do boys always laugh at burping?"

Hilo thinks everything is "outstanding" and Gina, D.J. and Hilo like the word, "Holy Mackerel!" When Hilo sees a robot monster he says, "Octoped! So wanted to use that word in a sentence today and Boom! Octoped!" Later he is shoving a giant foot in a club house where he cheerfully says, "This is great! And not just because it perfectly fits a giant metal foot and smells like squirrel poop. It's cause it's overrun with a ton of spiders." D.J. knows immediately what Hilo means and turns to Gina, "Octopeds." With a fist pump in the air, Hilo exuberantly shouts:"Octopeds! Hello, my eight-legged brothers!" Repeating words can sometimes get annoying but the author handles the comedic elements with aplomb.

The humor is balanced with D.J. learning that he is not a boring person but a brave and loyal friend. Even when Gina moves back to town he feels inferior to her as she's been in many sports and is good in science. He doesn't see his worth or value until Gina points out how he didn't hesitate tossing a robot off a cliff, jumping into a deep hole after Hilo, and fighting a Robo-bug with a stick. He doesn't seem to get it that having a superhero for a best friend is the exact opposite of boring. Although Gina makes it clear that she didn't think he was boring before Hilo. And D.J. isn't the only one sorting out issues. Hilo ran away from his problems and realizes that he has to face them.

The illustrations remind me of Calvin and Hobbes, particularly the facial expressions. While Winick's characters have more details and color than Calvin and Hobbes, Winick's faces look a lot like Calvin's when things go wrong and the characters' eyes engulf their head and pupils instead of showing up in a normally pupil-less face. D.J.'s stand-up hair looks like a bolt of lightning went through him as he watches Hilo do crazy things such as drop a raccoon in the school office. It adds to his facial expressions and creates energy with the angles. The adults are panicked with bug-eyes and big mouths in their shock of having a furry animal show up out of nowhere. The man with the pail on his head, broom in hand and leg up in the air looks like he's trying to dance out of the way of the raccoon. The staffer crouched behind the counter looks like she's trying to hide behind a paper clutched in her hands and a grimace on her face while a bald man is running in the opposite direction with a screaming mouth. Winick packs a punch in each frame and they are a delight to study. This cliffhanger ending will have you buzzing for book two. Don't miss it.

5 Smileys

Monday, September 7, 2015

Unusual Chickens for the Exceptional Poultry Farmer by Kelly Jones

I admire authors that can pull off well-written epistolary novels. To find the right balance between epistle and narrative without losing the reader is tricky to say the least. Too many internal thoughts by the character and you threaten to bore the reader. Too many flashbacks and you lose the immediacy of the action. Too few points of view and you wonder what motivates the other characters. If I were a writer I would think the chances of writing a boring, passive story would skyrocket with this format. Not so for Kelly Jones. She manages the technique well creating a strong character voice with humor and using few words creating a strong narrative arc and setting. Not easy, but she kept my interest throughout the story. Some might feel ping-ponged by all the chicken facts. However, Jones nicely ties them in with Sophie's superstitions of what she thinks she is seeing and the scientific facts. A clever juxtaposition, but we will get to that later.

Twelve-year-old Sophie Brown has moved from Los Angeles to a farm that her family inherited from her mother's great-uncle. Her mom knows how to run a farm but she is working full-time and can't help explain things. Sophie's dad lost his job and he's somewhat useless at figuring out equipment or even pruning. Sophie's got more smarts doing research at the library and contacting experts by writing letters when she's faced with a problem. Her dad could learn a thing or two from her. Sophie explores the farm on her own finding a hen pecking around a hen house. She names her hen, Henrietta, and is off to the library to learn how to take care of chickens. Sophie finds an advertisement in the barn for the Redwood Farm Supply company and writes them an old-fashioned letter, when she can't find them on the World Wide Web, asking for advice on caring for chickens. When a woman shows up at the farm saying she lost a chicken that looks like Henrietta, Sophie does some research only to find out things are not as they seem. Sophie meets another kid her age and gets help solving her chicken mystery.

Sophie writes letters to her dead grandma and Uncle Jim. The epistolary format works well in this regard as it helps keep them alive and shows that Sophie really misses them. My mom died this summer and I find myself talking to her in my head, much like Sophie's letters. I do the same thing with my grandma who I was close to when she was alive. Kelly Jones creates a strong and funny voice as Sophie corresponds with them. They don't write back so it's important when the author adds the correspondence with Agnes at the Redwood Farm Supply company. Her letters are full of typos and there is something fishy about them even though her advice is sound. The author does a great job balancing internal monologue with action and dialogue to keep my interest going.

Sophie's mom is smart, her dad struggles with problem-solving, and Sophie dives right into things not feeling sorry for herself nor lacking courage to try new things. She's terrified of speaking but recognizes when she needs to say something even when her knees are clanging together. Her mixed heritage and the townspeople's racist stereotyping is subtly shown in different situations. Sophie doesn't take it personally. She expects it and recognizes that comments were made in ignorance versus maliciousness. The comments range from people assuming Sophie's mom is from Mexico when she was born in the United States and is as American as them or the librarian assuming Sophie is a migrant worker.

Sophie describes the chickens like magic. One floats. One disappears. One is like Medusa. Eventually, Sophie learns all the unusual characteristics of the chickens from scientific facts. I was a bit confused by this at first like Sophie but it becomes clear as the author shows right after each incident the reason it happened such as the floating chicken. If the explanations didn't come right away I would have been really lost and it helps setup for the twist at the end. I did think the motivations of the villain were not clear. The explanation at the end was somewhat weak, but it doesn't take away from the other fun plot surprises.

Our library doesn't have bucketfuls of children's epistolary novels. The few I can think of are "Dear Mr. Henshaw" or "Stargirl." Actually more picture books spring to mind such as "The Day the Crayons Quit" or "I Wanna Iguana" or "Dectective LaRue: letters from the investigation" or "The Jolly Postman." Teachers like the picture books as mentor texts so I might be more in tune with them than fiction. Whether the epistolary novel is hard to write or not, or few and far between, Kelly Jones hatched a winner with this one.

5 Smileys

Tuesday, July 21, 2015

The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics by Daniel James Brown

Joe Rantz is an unlikely hero in this nonfiction tale about nine boys that went to the 1936 Berlin Olympics. The son of a tinkerer who had many jobs, Joe was kicked out of his family home during the Depression because they were not able to feed him and his stepmom didn't want him around. He had to fend for himself as a ten-year-old and later as a teenager as hard times hit. This upbringing made the college-age Joe that went out for the rowing team, much different than a kid of growing up privileged. Rowing requires mental and physical toughness that tests athletes in extreme ways. Joe had the right makeup, but he also needed to learn to trust his fellow teammates. The author shows how Joe matures along with the other nine rowers in a way that make them stronger as one unit versus individually. This inspirational book was hard for me to put down.

Daniel James Brown learned about Joe's rowing career directly from him and other family members and it sure-as-heck shows in the plot. Brown's intimate details on Joe's feelings make it read like a narration, brimming with drama and suspense. The story is rounded out with historical details on the Depression and the war as German Nazi's rose to power. The details of foliage, trees, and animals from the Northwest create a strong setting and it is easy to get lost in the story as it unfolds.

The details of rowing do not bog down the plot as it is balanced by the emotional, human story of Joe Rantz's strange upbringing. Brown juggles the story elements well and uses tension in competition, The Depression, and Nazi Germany to ratchet the drama up several notches. The cheating that was done to try to win the race does paint the Germans as one-dimensional villains, but Brown also shows Germany's attempt to be equal with other world powers. The Ministry of Propaganda was a ruthless way to push a glorified image of Germany that hid its dark intolerant and superior side.

This tale reminded me of "Unbroken," because it is a story of triumph and survival in difficult times. Brown's research is impressive as he tackles the intricacies of rowing along with giving a historical overview of the tough times facing people in the 1930s. He dramatizes the slumps the rowers go through during different seasons and builds to an exciting climax. My husband and I just moved to Seattle and are going to trek to the University of Washington's Conibear Shellhouse to see the "Husky Clipper" rowboat that was used in the 1936 games. I can't wait. Don't miss this one.

5 Smileys

Monday, May 11, 2015

Stella by Starlight by Sharon M. Draper

In 1932 Jim Crow laws were in full swing and African Americans were threatened by the Klu Klux Klan. Racism and prejudice was rampant, but bonds and connections made blacks united and connected to their community like family. The strength of this novel is the atmosphere created and wonderful dialogue, voice, and rhythms that Sharon Draper rat-a-tats throughout the pages. Stella by Starlight, the title, is a song by the famous African American singer, Ella Fitzgerald. This is a tale to dance by under a full moon. 

Eleven-year-old Stella Mills lives in segregated Bumblebee, North Carolina with her mom, dad, and younger brother, JoJo. When the two kids spot the Klan burning a cross across the pond from their home, fear sears through the tight-knit community for the last time that happen a man was murdered. The African American community gathers at Stella's house to discuss the events and look out for the children. Everyone is on edge and expecting changes because it is an election year with Hoover and Roosevelt running against each other for the presidency. When Stella's father decides to take a stand and vote with two other African American men, the tension mounts even more and things get ugly. 

I'm starting to see the same story threads over and over in children's books. One is the child that struggles in school with reading or writing and learns to rise above it and believe in himself or herself. Ella struggles with writing that seems to be the result of serious writer's block and being left-handed. She edits heavily before getting her story on paper that makes it difficult for her to get started. The only time she can write is outside under the moon in the middle of the night.

I was a bit bored with the beginning when we first learn of her battle with putting pencil to paper, mainly because I've read quite a few books like this as of late. But the author makes it interesting as Stella learns to deal with her writing handicap. Stella can write but struggles with conventions. Her writing is thought-provoking, truthful, and full of edits. That first draft for her is painful, like it is for many of us. She is persistent at trying to improve and her hard-work shows at the end with improved writing and a desire to maybe become a reporter. 

The injustices are ticked off throughout the story. The African Americans can't vote, can't go to the white doctor, can't go to the library, can't go to the new, better-resourced school, and so on. This is balanced by how rich their community is in caring for each other and showing solidarity when the Klan tries to intimidate them. There are some white people that show kindness, but for the most part it shows how Stella and Tony discover evil and hatred in other humans. 

The overarching theme is Stella discovering the power of the human spirit. People can choose to be evil or good, to hate or love, to lie or be honest, to fear or be brave. Stella finds power in writing and speaking the truth and she sees how to face the ugliness of racism by the strength of her community and making different choices. She learns to stand up against social injustices. These themes are woven by characters that sing and tell folk tales that gives the story a rhythm, voice, and cadence that is beautiful. 

While it shows the tightness of the African American community, some might find the song and community building slow. The songs show how it gave them strength to rise above social injustices, to be joyful, and to find hope. The storytelling was another way to rise above circumstances and the peddler and school teacher's story add depth. I thought the incidence with the white girl predictable. However, it supports the overarching theme of choice in human beings regardless of the color of their skin. 

This can be a starting point for discussions on fear, humaneness, and courage. Storytelling, oral traditions, writing and song are ways to get people to unite, to think about social injustices, and live a life that is full of potential. Draper is a terrific writer. The rhythms and steady beat of family and friends point to bigger truths for all of us. Don't miss this one.

5 Smileys




Friday, April 10, 2015

The Port Chicago 50: Disaster, Mutiny, and the Fight for Civil Rights by Steve Sheinkin

Steve Sheinkin is one of my favorite historical writers. His narrative nonfiction writing has the drama and characters found in any fiction novel, with spot-on pacing, and meticulous research. Don't miss this one.  Set during World War II, the Navy has changed policies so that blacks can enlist, but this does not mean equality. Instead, Sheinkin reveals the institutionalized racism in American society, military, and government showing how a small group of fifty men, out of fear, were one of the players in changing attitudes toward African Americans.

In July 1944, an explosion so huge it was mistaken for an earthquake happened at Port Chicago, as sailors were loading munitions on ships. Over 200 black men and 100 white men died at the pier. Only African Americans were assigned to load munitions and after the explosion hundreds tried to voice their fears regarding the dangerous job. No one listened. Unsafe conditions continued and Sheinkin shows how the African Americans were exploited by the Navy. As the men were being marched to load ammunition on another ship after the explosion that killed over 300 men, hundreds refused to go. But when they Navy threatened to charge them with mutiny and shoot them, only fifty were brave enough to continue to take a stand.

A court trial ensued showing the deep prejudices that were prevalent at the time. The courtroom drama and the lawyers building their cases captures the legal processes. Not all of the text is heavy. Sheinkin balances some light moments. The ending has a funny story of how a black sailor made best friends with a white sailor by fighting him. The fight ended up with them both respecting each other and the white sailor saying he learned that "a man is a man" regardless of skin color. Other interesting asides were Eleanor Roosevelt following the case and putting pressure on the Navy officer who could change things and Thurgood Marshall working on behalf of the men in the early stages of his famous career.

History shows that at times when an injustice occurs on the magnitude of the conviction of the Port Chicago sailors, people find the courage to stand up and protest the mockery of it. While these young sailors, many teenagers, didn't realize the significance they would have on history at the time in changing the plight of African Americans, they did not regret their actions as old men as the Epilogue explains. It also shows when the justice system fails to protect basic rights. While this book isn't as complex as "Bomb," it is just as compelling and will reach a younger audience. The primary photographs, graphics, oral histories, documentaries, and Navy documents make it an impressive work. Men stood up for what was wrong at great personal risk. This story is worth noting.

5 Smileys

Wednesday, March 4, 2015

Nightmares! (Nightmares! #1) by Jason Segel, Kirsten Miller

A witch has been haunting 12-year-old Charlie Laird's dreams for the past three weeks. He's terrified every night and has resorted to sneaking his parents coffee to stay awake. His mom has died and dad remarried. Charlie is convinced his stepmonster is the witch tormenting him each night. His anger and fears make him belligerent to others and mean to his younger brother. The ghost story is not too frightening but creepy enough to be fun. The pacing is well done and the tension unfolds as clues are slowly doled out to pull the reader along. Charlie goes from tired and out-of-it to downright cranky and rude. Just when I was getting tired of his attitude he gets swept into the alternate world of his nightmares where he saves others, lightens up, and learns to face his fears.

Charlie is so exhausted, I wanted to crawl under my desk and go to sleep. Night-after-night he is tormented by a witch that comes to him in his sleep. He tries to deal with the witch on his own but when she visits him when he isn't sleeping he gets really frightened. This isn't a nightmare anymore but reality. He decides to include his best friends, Paige, Rocco, and Alfie, on what is happening to him each night. Charlie has two deep-seated fears that are so crippling that he has opened a portal allowing the nightmare creatures a chance to enter the real world. The main villain is trying to change Neverworld, the alternate nightmare world, by causing Charlie to be permanently afraid to keep the portal open and take over the real world. Charlie tries to stop the villain and shows that not only does he care about others, he is willing to risk his life to save them.

The characters are really respectful of Charlie not laughing at his fears. I end up dealing everyday with students who have hurt others feelings because they laugh at them in mean-spirited ways. I appreciated the group not laughing at Alfie's doofiness or Charlie's fears. As Paige says, "Only weak people need to make others small." Mean-spirited teasing is where it begins so often in the classroom. The characters model for readers how to deal with these every day occurrences that happen in school or with siblings. That's not to say the characters don't have flaws. They do and they learn from them. But the subtle message of not laughing at others to be mean, is not didactic, and is a good discussion point.

The nightmares that exist in Neverworld are a nod toward Peter Pan's Neverland a metaphor for a never-ending childhood. Neverworld is a metaphor for never-ending fears. The characters must learn to face their fears and deal with them otherwise they will turn bitter and lonely. Fear makes it impossible to live a full life and its a universal theme for adults as well as children. It takes courage to root out what is frightening and face it. While this is the main theme there are others that add depth to the story. Additional points for discussion include grief, friendship, courage, and bullies to name a few.

This book reminds me of "Nightmare Acadamy: Charlie's monsters" by Dean Lorey (UK title) or "Monster Hunters" (US title). That story has children who have nightmares and the monsters come to life. They have to go to an academy to learn to control them. It is loaded with more action than themes. This book has more to discuss than the other, they are both are fun reads.

4 Smileys

Wednesday, February 11, 2015

Shadow on the Mountain by Margi Preus

Civil disobedience is a conscious effort to disobey laws that one disagrees with in society. The protagonist, Espen, lives in Norway when the Germans occupy his country and force the Norwegian King and government officials to flee. The Norwegians formed a Resistance group meant to undermine and protest the Nazi's, while other Norwegians decided to join the German Reich. Espen, along with many others in his town of Lilleby, choose civil disobedience in the form of nonviolent actions such as feeding prisoners of war, smuggling newspapers, acting as couriers, wearing paper clips or red hats to signify unity, or refusing to sit next to a German on public transportation. This form of resistance was a way to feel in control of what was clearly an uncontrollable situation, to instill national pride and counteract Nazi propaganda. Espen never hesitates to join the resistance although he does romanticize it at first. He pretends he is a hero or some important spy. As he gets more and more dangerous missions, he learns real fear and as a child, he still makes many mistakes endangering the life of himself and his family.

Margi Preus captures the culture and customs of Norway from the myths, food, and cross-country skiing to the language. The children's story of a troll splinter in the eye as a way to explain why some Norwegians chose to side with the Germans even though it was wrong reminded me of "The Snow Queen" fairy tale and the boy that sided with the evil Snow Queen because he got an evil glass splinter in his eye. When Preus describes cross-country skiing and scraping off wax, it brought back many memories of cross-country skiing in Minnesota. The day would warm up and the skis' wax would have to be scraped off and changed in order to get it to glide. Except Espen is not on a recreational ski trek, he is being hunted by the Gestapo and fleeing for his life; thus, adding tension during an exciting climax.

The plot has Espen playing soccer and bonding more closely with his teammates when the Gestapo decide to take over the team. In protest, the players quit. Espen's soccer captain is quite involved in the Resistance which is how Espen becomes involved in it. There are not too many twists and turns. In fact, it is easy to predict what the villain will do. What I liked best was the details on daily living and the friendships forged between characters. Preus creates some imagery with darkness and light from the blinding snow on a sunny day to the blinding blizzard in the dark of night. Both times involve major moral decisions by characters. The imagery is also tied into the theme when Espen's father says that people become "snow-blind to ...basic human decency, but behind the temporary blindness, ...they knew ...the right thing to do." Espen has learned from his parents that to turn away from human kindness is never right even if it means risking one's life.

The story is written in third person from Espen, Ingrid, and Askel's point of view. Some parts are slow, particularly Ingrid and her journal writing. I see how it was supposed to advance the story in an exciting climax, but it was slow getting there. Humor is balanced with dark elements. When Tante Marie tells Espen to get something in her drawer she wants to give him, he jokes: does she want to give him her false teeth or the compass? Askel, the Norwegian boy that joins the Germans, is a one-dimensional villain and flat; he is your typical Gestapo bully that uses the Nazi ideals as a platform to rationalize his need to use violence on other people. He puts down others to build himself up. His mother is his foil, but I would have preferred a look into why Askel was so full of hate. The suggestion is because his father died fighting in the war, but it isn't explored in depth. He's also too casual about his first kill. The other Norwegian boy that joined the Germans, Kjell, has more depth as he struggles with honoring his past friendship with Espen and adopting the violent methods of the Gestapo. The author tries to balance German soldiers that turned a blind eye, to those that were violent. The end has an interesting author's note, photos, timeline, and activities for code breaking and making invisible ink. A nice enjoyable story that will be hard for me to remember in the future.

3 Smileys

Monday, October 13, 2014

Upside Down in the Middle of Nowhere by Julie T. Lamana

Relationships are the centerpiece of this story that slowly builds like a tropical cyclone. Ten-year-old Armani is a cumulonimbus cloud full of sass, courage, and emotion. While her siblings irritate her, she would also do anything to protect them. When Hurricane Katrina hits the Ninth Ward and wipes out all that she knows, she has to deal with guilt and protecting her brothers and sisters that are younger than her.

Students will like this great adventure story. The start shows a loving, large family that is enjoying their daughter's tenth birthday when the wicked storm hits New Orleans. Armani adores her grandma and gets tired of sharing her with her other siblings. She fights the most with her older brother that teases her. Armani doesn't know how to handle it except to yell at him. In fact, she yells quite a bit at her siblings as a way of dealing with her frustration of sharing everything and everyone. Her heart is good though. If she's not protecting seven-year-old Sealy on the bus from bullies, she's teaching her infant twin brother and sister how to make the love sign, or comforting her scared grandma, or sticking up for her cousin against a drunk dad. Her hurricane-like personality can be ferocious at times.

The author slows down the writing in spots and brings in the senses making small moments special. One of my favorites is when Armani is doing the dishes and her baby sister rolls a mini-toy car over her foot. It's always fun when an author shows a non-stereotyped character such as the twin sister that loves her brother's cars while he has nothing to do with them. When the baby sister teases Armani, Armani playfully tosses a dishrag at her only to hit her grandma in the face. "I grabbed the wet, red-checkered dishrag out of the soapy water and threw it at her. But she scooched quick around the corner. Just then, Memaw [grandma] came walking toward me around that same corner. The slopping-wet rag slapped her smack in the middle of her face and stuck there like flypaper." The dialogue in the book uses a dialect that some might struggle with reading, but it adds to the unique character's voices. When the hurricane hits, the terror and smells come to life in the details that make the book hard to put down.

The author captures how young people don't always know how to communicate when their feelings are hurt and it would make for good discussions. At the table when Georgie laughs at Armani for believing a cow had a chicken, she screams at him because she is embarrassed. Later she shouts at her sister because her grandma was going to tell her something important about her cousin's mother and then was unable. (We never did find out the answer to that question.) As a middle child of five siblings, I remember being mean just because I was tired of sharing with them all the time. And tired of being picked on. Some days were survival of the fittest and I was nasty to protect my turf. Later Armani and her sister yell at each other but its because Armani thinks they will be separated. Hurtful things are said but later they make up. This is the heart and soul of this novel. How the family works together. They fight, but also care deeply for each other.

I didn't particularly like the start or the end of the book. On the bus Armani is annoyed with her cousin that is big, braggie, and bossy. She kept talking about her big butt and I thought... great we are getting a book with a girl that is a mean name-caller. Armani goes overboard at times and turned me off with her meanness, but then she shows how her attitude gives her strength and courage. She is a flawed character and it makes her more real and interesting in the end. Luckily the author balances enough of her mouthy, disrespectfulness, with redeeming qualities. I found myself admiring her for not collapsing in the midst of an incredibly stressful circumstance and being so young. She grows up quickly learning to be responsible and trust others.

The end of the book was somewhat abrupt. I had questions for Georgie about what happened with the dog and dad. TayTay had her own story that is never told. I wanted to find out what happened to Uncle T-Bone. I wasn't sure what was going to happen with the Bromans. By the way, it seemed that the older Broman, Matthew, was interested romantically in Armani. I think I might have mistaken the author's showing that Matthew just admires her. She is only a 4th grader and I was never sure of Matthew's age. I actually mixed him up with the fifteen-year-old boy in the shelter. I wouldn't think he was that old. Danisha was another character I wanted to meet again and I would have really liked some author's notes at the end explaining how she mixed her facts and fiction. I didn't know that the Dome was so dangerous. I looked up facts on my own and discovered what a mess it was inside there.

This book is like a levee of emotions flooding the reader. Its emotional pull is going to appeal to many of the students at our school. Oftentimes I recommend: Wonder, Okay for Now, One for the Murphys, Rules, Out of My Mind.  Now I can add this book to the list.

4 Smileys