Pages

Showing posts with label Depression. Show all posts
Showing posts with label Depression. Show all posts

Tuesday, July 18, 2017

Americanah by Chimamanda Ngozi Adichie

Americanah's plot is driven by the overarching romantic relationship between the protagonist, Ifemelu and Obinze, who fall in love as teenagers, but are separated for fifteen years when she moves to America during college. Ifemelu is traumatized by an event in college that makes her no longer communicate with Obinze, but both have idolized their relationship over the years and think of it as pure, equal, and intellectually stimulating. Ifemelu has other serious relationships but they are lacking in some way and Obinze has married for convenience. The exploration of romantic relationships is portrayed in other characters but they are unequal, materialistic, unhealthy, or lacking in some way. Mixed in this overarching plot is social commentaries on racism in America, corruption in Nigeria, and xenophobia in Britain. Self-identity, mental illness, and cross-cultural experiences are explored as well. A bonanza of events and themes keep the pace hopping for the most part creating a thoughtful and worthwhile read.

Ifemelu goes to college in America and struggles with depression, employment, and making her way in an immigrant's harsh world. She gets a break nannying a wealthy couple's two children and starts a blog critiquing liberal white Americans that use charity to make themselves feel better, racism, and more. Ifemelu becomes friends with Kimberly, the wealthy white mother, who has false assumptions about immigrants and Africans; however, Ifemelu recognizes Kimberly as a decent, caring woman who is unhappy and unable to stand up to others. They become friends in spite of differences.

During her time nannying, Ifemelu dates Kimberly's cousin, a wealthy man named, Curt, who actually cares for her but he represents a privileged class that makes Ifemelu restless with him. While he genuinely cares for her, his use of privilege and entitlement creates gaps in their relationship. For instance, he gets her a green card manipulating the process to speed it up because he is wealthy while Ifemelu's other friend works three jobs trying to get his visa. Curt also turns the story of Ifemelu's experience with a carpet cleaner, who is disgusted and angry when he mistakenly thinks Ifemelu owns Kimberly's mansion to acting relieved and nice when he discovers that she's just than nanny, into a funny anecdote with his friends versus a dehumanizing experience. Even while dating Curt she thinks of Obinze and idolizes their romance. Ifemelu's blog becomes successful and she dates another man, Blaine, but again does not connect with him. She decides to leave America and go back to Nigeria. While there she tries to write fluffy pieces for a magazine that caters to rich Nigerian women but cannot do it. Each move she makes gives her more peace with who she is and what she wants in life. She decides to fight the corruption in Nigeria and becomes active in a cause. She couldn't do this in America because of the lack of cultural history but she can in her own country. She rekindles her relationship with Obinze.

The notion of being an outsider in a new culture, Ifemelu's internal restlessness, and characters searching for self-identities kept my interest more than the unequal romantic relationships - although I did find the tension and misunderstandings in cross-cultural relationships fascinating. The story addresses false assumptions that people have in different cultures not realizing that they are embracing stereotypes or racist attitudes. Africa is not a poor country that needs to be rescued by white people, black women don't need to wear their hair straight like white women, and women don't have to marry just for wealth, to name a few. The author provides a different narrative that looks at the history of America that lacks the post slavery anger and outrage. She also shows through characters such as Ifemelu's mother and a co-worker the dangers of being blinded to truths through religious fundamentalism. Adichie does not become preachy or single out any country and while Ifemelu could become too judgmental or point the finger, she retains empathy for others making her statements thoughtful. All places have issues and all have good aspects too. By having the protagonist be a successful blogger, the author is able to create snippets of biting, light, heavy, and humorous commentaries that add depth to the plot.

One of Ifemelu's blog posts examines cultural aspects of race that are not existent in Nigeria: The post's title is, "To My Fellow Non-American Blacks, in America, You are Black, Baby: Dear Non-American Black, when you make the choice to come to America, you become black. Stop arguing. Stop saying I'm Jamaican or I'm Ghanaian. America doesn't care. So what if you weren't black in your country? You're in America now. We all have our moments of initiation into the society of former negroes. Mine was in a class in undergrad, when I was asked to give the black perspective, only I had no idea what that was. So I just made something up." Ifemelu doesn't consider race until she is forced to by complicated racial politics ingrained in American society.

When Ifemelu is dating Blaine, an African-American professor from Princeton, the cultural misunderstandings on race become even more pronounced. Blaine is outraged when the University of Princeton's police accuse a black man of drug dealing through racial profiling and organizes a protest. Ifemelu skips the protest; she can't relate to the history of oppression that makes Blaine so angry. This along with other incidents such as Blaine's sister Shan and his friends show the gap in her and Blaine's relationship revealing why they could not connect on a deeper level and move beyond dating.

The hair salon is an important symbol and foreshadows or reveals the struggles immigrants face dealing with white privilege, fitting-in, and racism. Ifemelu doesn't mask her Nigerian accent and the women look down on her for it. She used to speak with no accent but felt it was false and made her want to fit into America's definition of being a citizen. She watched her aunt and friend try to assimilate like this and didn't like that they were not being true to themselves. She develops her own American identity and later a Nigerian one. She grows more mature along the way and by the time she meets up with Obinze she knows what she wants and who she is. She also wants her hair natural, not artificially colored or flattened. Her identity crises are symbolized in her hair choices and the setting of the hair salon frames the story in a well-crafted way. I've only touched on a few themes and messages in the book that is ripe for many different kinds of discussions. A terrific story.

5 Smileys








Wednesday, September 16, 2015

Wish Girl by Nikki Loftin

Nikki Loftin has realistic, gritty plots with a touch of magic in her books. Her first book, "Nightingale," shows poverty and how it affects lives and decisions tied in with the Hans Christian Andersen's fairy tale. This book shows two kids that don't fit in with their peers and a protagonist that isn't accepted by his family. The magic in this story is an oasis where nature soothes the soul and heals. While entertaining, this one doesn't come together particularly well in character development and plot.

Peter Stone's family has moved from the city to the countryside so Peter can get a fresh start. Something terrible happened to him and while his family is supportive on the outside, they keep trying to change him on the inside. His mom and dad fight more than is healthy and Peter has to get away from the noise. While wandering the countryside he finds a peaceful valley that literally speaks to him through the animals and insects. He meets Annie Blythe, artist extraordinaire, with a cancer riddled body. Together they face their problems trying to overcome bullies and adults that subvert their voices.

Peter's family comes off as neglectful at first then overly protective later. They don't communicate with Peter and the parents are having marital problems since his dad lost his job. The beginning presents the parents as not really caring about Peter who goes off for hours and no one notices. Then they suddenly notice and everyone is worried to the point he is grounded. Peter is supposedly fragile but his internal voice seems awfully clear-headed to me. I didn't see him as having serious problems. The author shows his fears and inability to speak, but that is it. I wanted more. The one-dimensional bullies never really come to life either and while it is revealed their parents abuse them and one of them is not as cruel as the other, I thought the accident would expose them and their parents with a telling scene. That action is left hanging and unresolved.

Sometimes the plot is predictable and other times it is not. The magic is conveniently used when the plot needs to move forward or the humans make a bad decision. This made it feel contrived and at the end when Peter talks to his family he doesn't come across as a broken kid that has learned life lessons, he comes across as a kid that has been wronged by the adults in his life who have misunderstood him and forced him to do things that he didn't want to do.  He says some mean things to Annie but I think the first person narrative worked against giving the reader a well-rounded view of who Peter really was and what he had dealt with in the past. He's not very melancholy or raw emotionally. Instead he tells too much versus showing it.

The artistic Annie has some interesting insights into art. She tries to teach Peter that art transforms and he is transformed to some extent by their friendship. At the end the resolution happens off the page and the wrap up was a bit anti-climatic. The bullying Annie endures doesn't make sense either. Again, I think the point of view worked against rounding out the characters in a more sympathetic way or in a way that I could get sucked into the storyline. As is, I kept noticing the craft which kept me from magically disappearing into the story.

I kept thinking the story might be like "No Fault in the Stars," but it does not look at cancer in the way that one does. It does remind me of the Romantic writers of the 1800's, such as Frances Hodgeson Burnett's, "The Secret Garden," that uses nature to the extent where it is almost a religious experience for the characters in its power to heal. While I like Loftin's word choices and voice, I just couldn't get into this one like her other one.

3 Smileys

Tuesday, July 21, 2015

The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics by Daniel James Brown

Joe Rantz is an unlikely hero in this nonfiction tale about nine boys that went to the 1936 Berlin Olympics. The son of a tinkerer who had many jobs, Joe was kicked out of his family home during the Depression because they were not able to feed him and his stepmom didn't want him around. He had to fend for himself as a ten-year-old and later as a teenager as hard times hit. This upbringing made the college-age Joe that went out for the rowing team, much different than a kid of growing up privileged. Rowing requires mental and physical toughness that tests athletes in extreme ways. Joe had the right makeup, but he also needed to learn to trust his fellow teammates. The author shows how Joe matures along with the other nine rowers in a way that make them stronger as one unit versus individually. This inspirational book was hard for me to put down.

Daniel James Brown learned about Joe's rowing career directly from him and other family members and it sure-as-heck shows in the plot. Brown's intimate details on Joe's feelings make it read like a narration, brimming with drama and suspense. The story is rounded out with historical details on the Depression and the war as German Nazi's rose to power. The details of foliage, trees, and animals from the Northwest create a strong setting and it is easy to get lost in the story as it unfolds.

The details of rowing do not bog down the plot as it is balanced by the emotional, human story of Joe Rantz's strange upbringing. Brown juggles the story elements well and uses tension in competition, The Depression, and Nazi Germany to ratchet the drama up several notches. The cheating that was done to try to win the race does paint the Germans as one-dimensional villains, but Brown also shows Germany's attempt to be equal with other world powers. The Ministry of Propaganda was a ruthless way to push a glorified image of Germany that hid its dark intolerant and superior side.

This tale reminded me of "Unbroken," because it is a story of triumph and survival in difficult times. Brown's research is impressive as he tackles the intricacies of rowing along with giving a historical overview of the tough times facing people in the 1930s. He dramatizes the slumps the rowers go through during different seasons and builds to an exciting climax. My husband and I just moved to Seattle and are going to trek to the University of Washington's Conibear Shellhouse to see the "Husky Clipper" rowboat that was used in the 1936 games. I can't wait. Don't miss this one.

5 Smileys