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Showing posts with label novels in verse. Show all posts
Showing posts with label novels in verse. Show all posts

Tuesday, May 31, 2016

Booked by Kwame Alexander

This book-in-verse (or is it verse-in-book? novel-in-verse? or a novel inverse? or inverse novel? I shouldn't be writing a book review last crazy week of school) about a boy who loves soccer and is dealing with the divorce of his parents. Kwame Alexander can pound out images and rhythms that will make you beat through the pages like a drummer. While "Crossover," the 2015 Newbery Winner was on basketball this one is on soccer. Except the sport takes back seat to the power of words as Nick Hall learns to use them against teachers, parents, wooing a girl, and friends at school. He says he hates words since his dad is a professor and "verbomaniac" who has written a dictionary he's making Nick memorize. But Nick likes words. If he didn't he wouldn't fling around words like "limerence," "codswallop," or "ragabash". This story might leave you with "onomatophobia", but it sure is a heck-of-alot of fun.

Twelve-year-old Nick Hall daydreams in class getting the teacher's unwanted attention. He uses words in a clever way to charm her on to Team Nick before using the same technique to get a girlfriend. Although shy and scared of girls, his words come through for him in the end. His mom and dad are splitting up and he goes through grief as his athletic mom leaves to train horses in Kentucky. When he expresses how upset he is he finds the power of words to bring his mom back and find some equilibrium in a rough time. Cody is his soccer friend who he joke-brags with they are on rival soccer teams and will play each other in a prestigious tournament. When things fall apart, the rapping librarian hooks Nick onto reading and a book club where he discovers books help him articulate what he's going through in his life at the moment (and win the girl of his dreams).

The end doesn't tell the reader what was in the mysterious dragonfly box. A dragonfly symbolizes change and self-realization which is Nick's character arc in the story. If I had time I'd look into rappers. I'm sure the author is doing more with the verses than I can tell but I'm on a break away - I have a parent waiting for this book at the circulation desk and I'm trying to write this as fast as I can. If I shoot this review over the goal or you think it is ragabash, that's why.  (Ah... I see on my labels/tags that I usually use novel-in-verse. Long day.)

5 Smileys

Friday, January 30, 2015

The Red Pencil by Andrea Davis Pinkney, Shane Evans (Illustrations)

Diverse books are necessary to the children's literary landscape and there are not enough of them, but I know I won't remember this one in the long haul. It isn't that the verse isn't beautiful or the setting not memorable, it is the fact that the secondary characters don't come alive giving depth to the main character's journey. I kept wanting her to form a relationship with a minor character to help push the story's action forward. The plot stalls for me in spots and just when I think an interesting minor character and relationship is going to bloom, it moves on to another one too quickly. Amira's sister, Leila, interested me the most because of her grit and determination as a cripple, but she flits through the vignettes like a butterfly out of reach. Also, the Sudanese conflict in Darfur isn't explained enough and I found myself looking up answers in the encyclopedia to fill in gaps. That said, there are some interesting themes on creativity, grief, close-mindedness, and traditional values.

Darfur has been a war zone for many years with African and Arabs fighting for land. Thousands of people have been murdered and displaced and this story is about one family's life as refugees. Amira farms with her loving family in South Darfur, Africa. She has a younger sister that is crippled and enjoys a close relationship with her progressive-minded father. When the Janjaweed militia come through her village her father is killed and she must flee with other villagers to the city of Kalma. She secretly desires to be educated in a country that doesn't educate girls. Traditions are such that girls do household chores and marry, they do not need to be educated. Amira sees another girl her age married to a rude older man and can't help but notice the girl's unhappiness.

One of my favorite books is "Things Fall Apart," by Chinua Achebe. It shows the break down of traditional values in a village and how it tears apart the main character, an African man. In this story, war seems to break down traditional values, but it doesn't pull the main character apart, it makes her stronger. The limited point of view, told only from Amira, keeps the story from showing the complexity of the war going on around her. Amira doesn't understand it and while it is emotional with her grief, I wanted to get to know more of the other characters. The verse makes the plot seem sparse at times. Amira likes to draw in the dirt with a stick and her father values education. It is hinted that he wants Amira to run his farm. Amira comments on her mother's close-mindedness to her being educated. "Muma's strong beliefs/ are as blinding as a sun/ that makes her squint at new ideas." Her mother slowly changes as Amira opens her eyes to the joy of writing. When Old Anwar teaches Amira to write in secret she starts to heal from the war.

Andrea Davis Pinkney explains in an author's note that she used verse to distance the story's violence from the reader and while it does do that making it age appropriate, it also hurts the flow of the story making facts choppy along with relationships. She does show how the "toob" or Sudanese traditional dress that covers a women from head to toe, is tied in with cultural identity. It adds a richness to the text and meaning to Amira. Her mother shows her toob from when she was married while Amira passes on her toob to her sister. This generational passing down of a cultural costume gives the women a sense of identity. The reader also sees it is a symbol of economic wealth and status in the richness of Miss Sabine's dress when she comes to the refugee camp. The illustrator captures its cultural importance in the illustrations. The toob is more than a stylish dress. It represents national pride and heritage dating back hundreds of years.

Amira grieves the loss of her father and is traumatized to the point of not talking. It isn't until her pencil disappears that she regains her voice. The pencil is a symbol of changing the future and a reminder of her father who gave her a sharpened twig on her birthday so she could write in the dirt. Writing heals Amira and gives her hope for a different future. She is not interested in getting married and finding a husband. Her father and Old Anwar recognize this and mention her intelligence. She overhears her father telling Old Anwar that he will teach her, but then he dies. Old Anwar teaches her in secret when she asks him. My favorite verse is "Sweet Invitation" where Old Anwar tells her that learning isn't "...chasing the wind" but "...stirring it up." Amira sees new possibilities for the future by getting an education and is determined to change her present situation. The abrupt ending makes me wonder if there will be a sequel. This might be a nice companion to Linda Sue Park's "A Long Walk to Water" that shows the importance and difficulty of getting water in Sudan and the role of girls in getting water for the family.

3 Smileys



Friday, December 19, 2014

Brown Girl Dreaming by Jacqueline Woodson

In journalism school I'd get writer's block from deadlines. I would plop open Patricia Hampl's poetry to any page and no matter what, her words conjured up images and emotions that always unlocked my brain-freeze. This book is more poetry than plot as it jumps around at times following a less sequential structure for a novel-in-verse. That is not to say it is kittywampus. The order is there. I just got confused once in awhile. Plus, reading it in one sitting didn't work for me as well as savoring it in bits and pieces, like nibbling on slices of Tollhouse bars from a cake pan all day. You decide for yourself.

The emotions, history, imagery, and themes are loosely tied together as they chronicle the story of the author, an African American, growing up in the South and North. The history is going to be hard to figure out for some readers because of the sparse text that touches on major civil rights events, but doesn't go into depth. Some background knowledge helps fill in gaps on incidents such as sit-ins and marches, Jim Crow laws, and the Black Panthers, to name a few. This beautifully told story is about a girl trying to figure out what she wants to do with her life as she deals with her parents divorce, the civil rights movement, and three family relocations. I found many of her vignettes causing my own forgotten childhood memories to resurface. Amazing writing. Amazing craft. But some are going to find this book slow.

Jacqueline Woodson was born in Ohio. Her dad is a descendant of Thomas Jefferson and his black slave, Sally Hemings. Jacqueline's mother was from South Carolina where her grandma still lives. Jacqueline's parents fight and she goes with her two siblings and mother to live with their grandparents where she develops close ties with her grandpa in particular. He's a smoker that develops emphysema and believes in God but not the Jehovah's Witnesses which is Jacqueline's family's religion. Life is dangerous in the South. It is safer to stay in the back of the bus. White women are hired at department stores to shadow African Americans shopping to make sure they don't steal any merchandise. Segregation is prevalent in public places and schools. Jacqueline notices that revolutions in all cultures are like a merry-go-round and wishes for peace. The end challenges readers to choose which world, which story, and which ending they desire. Readers can step into the many worlds whether it is imaginative storytelling or a revolution, but to remember if "the world explodes/around you - that you are loved..."

When Jacqueline's mom goes to New York she leaves behind her three young children. The text suggests that she has a child with a white man, but nothing is explained. I wasn't sure how long the mom was away from her three children that she left with her mother in South Carolina. Sometimes I got confused by the timing of events. Obviously, Jacqueline's mom was gone nine months, but perhaps longer. Jacqueline's new brother is named Roman and his skin is pale. Later, the boy ends up in the hospital from eating lead paint from the apartment walls. He's one of the character's I wanted to get to know better. There were others in the family as well that are not elaborated on. Maybe there will be a sequel. I hope so.

The theme of storytelling versus lying is subtly weaved throughout some chapters. Jacqueline gets in trouble from her mom for lying when Jacqueline says she is just making up stories. There's been several children's books published in 2014 on this topic but I think Jonathan Auxier's book, "The Night Gardener," articulates it well when his character says that lies hurt people and storytelling helps them. Jacqueline learns the same lesson. At first, she doesn't know the difference between when someone, such as Cora, is telling a superstitious lie to scare her versus a story. At the end Jacqueline is making up stories to her classmates suggesting that she has figured out that telling stories versus lying depends on intent. Storytelling is an expression of the imagination; whereas, lying is a way to avoid consequences of harmful actions. While storytelling is a great way to nurture creativity and imagination, sometimes it can be hard for kids to figure out when it is or is not appropriate.

Jacqueline Woodson won the National Book Award for this book and in an unfortunate incident, Lemony Snicket who presented the award, made a racist joke when giving it to her. She countered the comment in a respectful response to move beyond stereotypes and learn about painful pasts so people can live with diversity in healthy communities. Her book is about white people showing disrespect to black people, as well as, her discovering her love for storytelling. Diverse books are necessary to teaching tolerance. Books are one vehicle for teachers and parents to open discussions about issues with children about how to respect other people regardless of race, gender, religion, disabilities, or more. Dialogue is necessary so that people can look at their own biases and change. While Lemony Snicket, in an attempt to be funny was demeaning, he did spark public outrage and debate at how the community needs to change hurtful language into words that show respect for one another. I live in Taiwan and my assistants said that until recently it was taboo to discuss Chiang Kai-Shek's massacre of almost 30,000 Taiwanese when he came to power in the 1940s. They said it is so painful, echoing Jacqueline's comments in the New York Times article. The only way to prevent future wrongdoing's is to discuss how to make the world better. As the character in this book says, "I know my work is to make the world a better place for those coming after." How true for all of us.

5 Smileys


Friday, October 31, 2014

Salt: A Story of Friendship in a Time of War by Helen Frost

This novel-in-verse looks into the past when Native Americans were forced from their lands in the 1800s in the United States. I just happened to have finished the book, How I Became a Ghost, by Tim Tingle about the same topic except specifically, the Trail of Tears. These two books could be compared regarding the Removal Acts of 1830 and how they impacted the Native Americans. They are quick reads. Helen Frost captures the lifestyle of the Miami tribe at Kekionga and the trading post outside Fort Wayne, Indiana.

Two alternating viewpoints between twelve-year-old friends, Anikwa, a Miami boy, and James, a white boy, show two cultures at odds with each other. I got lost in the scenes where the two are trying to communicate and do not know each others language. I can relate with living overseas for the past ten years and having a concrete ear when it comes to learning languages. Some incidents are funny. Some frustrating. The subcharacter, Isaac, captured my attention least. He is one dimensional and used as a foil to show the common prejudicial view toward Native Americans. The two families of Anikwa and James, particularly the males, fluctuate between helping or hurting each other. I do think this plot was an ambitious endeavor and is going to be hard to pull off because it is a complex topic and poetry uses so few words to convey information. I admire Frost's efforts and at times she succeeds and other times falls short.

The verse in Anikwa's voice is in the shape of weaving, while James is in couplets. The author explains this in the notes and says that originally, James was supposed to look like the American flag. Side-by-side they look like a blanket in the process of being woven. This image of two cultures intertwined made me think of the modern day mix of ethnic cultures in the United States. Blanket weaving has such a rich history in Native American culture and the long hours put into creating a brightly colored blankets suggests that friendship and peace is possible one thread at a time but will take a time and patience.

This is set during a time of war where tensions run high and people are taking sides. Anikwa and James are friends. They fish together and hunt. While they can't speak together, they try to learn words and have an easy camaraderie. The author shows how the Native Americans tried to use appeasement and force against the white people taking their lands. Neither way works and in the end the Miami tribes lose their lands. It suggests that individuals can be friends even in the midst of war and while they can't make a change on a big scale they can on a small one.

This week I was particularly frustrated by the Taiwan government. They have had food scandal after food scandal. My husband and I have been drinking contaminated milk for 7 years. At our school, the incidence of cancer is high. To the point that people have wondered what is going on. I suspect tainted food and pollution. When I talk to the Taiwanese they shrug their shoulders and say they can't do anything. But I can do something. I will not buy food from the companies with shady practices. I can get imported foods. By making a personal action I feel like I have a choice. I can't control the government but I can protest as one small voice. If enough of us get together, it will have an impact on these companies. This is the message I get from this book. Even though only two families will not change the outcome of the war, they made a choice. And that choice is for tolerance and peace.

4 Smileys

Wednesday, April 30, 2014

Where I Live by Eileen Spinelli

This novel-in-verse is a quick read that captures the emotional turmoil of losing a job, moving away from family and friends, and starting over in a new city from the point of view of an 8 or 9 year old. Diana's sun-drenched yellow house with white shutters, a maple tree, and daffodils is "stitched against the sky," providing comfort and security like the wren's nest cradled in the wreath on the front door. She wants a new bike for her upcoming birthday and has a lovable and annoying younger sister called, "Twink." Her best friend Rose wears a floppy purple hat and goes cross-eyed when Diana gushes about nebulas and stars. Diana's second passion is poetry. When she wins a poetry contrast Twink can't understand why since her poems "don't rhyme." When her father loses his job and her grandpa falls ill, Diana is upset by her parents decision to move in with grandpa.

While the words and imagery are not complex, making this book accessible to young readers, the complex situations and changes within the character, Diana, make it good for older readers striving for language fluency. The illustrations support the text and plot offering another reading aid. Diana's situation is relatable for many readers whether dealing with losing and making a friend or stressful situations resulting from a sick relative or financial difficulties. The anger that Diana expresses is authentic and her vulnerability makes it easy to get into the story. She changes from resenting her family's move to accepting it.

The younger sister offers comic relief from being sweet and annoying. When Twink sees that Diana is sad because she didn't get the bike she expected due to her father's job loss, Twink wraps her favorite stuffed toy, George, and gives it to Diana. Twink looks like she is about 4 years old and as most readers know, sharing is mighty hard for little kiddos. I laughed when she tells Diana she's "loanding" George and wants him back by the end of the day. The illustration of "itchy" Twink in the carseat with her mouth wide open complaining about the long ride is my favorite. Diana is giving her the evil eye that Twink is oblivious too. The next page shows Diana holding Twink as a baby who is stroking her cheek lovingly. The sibling dynamic of loving each other and fighting is well-done in the text and photos.

When Diana moves she meets a boy her age and struggles with being his friend because he is a boy. Even though Sam Peter Ling "...loves astronomy as much as I do," has a telescope, plays her favorite game "Scrabble," and has star parties, she doesn't like that he is a boy. Diana seems to be having an issue with gender segregation. She verbalizes it to Diana and Sam, who respond to her concerns by asking why does that matter? I like the simplicity of their response. Diana seems to agree with them because the next page has Diana getting a new bike and the subsequent page has her describing her new house and new friend. I did want a page of Diana deciding that its okay to have a friend that is a boy versus the reader having to infer it. In a nice circular ending, the last page has Diana describing her new house and plans she has made with her new friend.

The bird's nest on the door becomes home to three chicks named, "Snap, Crackle, Pop," by Twink and they move before Diana's family. The nest is a symbol of Diana's home and the birds are a symbol of Diana's family. She hopes that the birds will visit them in their new place. When she moves and her grandpa shows her a way to stay in touch with her friend Rose, she realizes that she doesn't have to say goodbye permanently. She and Rose can still communicate. Bird's are dependent in the nest until they learn to fly on their own. Diana is learning to be independent and make new friends. She is growing up and changing becoming more mature. Like the birds that flew away, she too, is learning to spread her wings and soar.

4 Smileys

Wednesday, April 9, 2014

Words with Wings by Nikki Grimes

This novel-in-verse tackles quite a few issues using a small amount of words. Nikki Grimes shows how word choice and metaphors can create a powerful story. Gabriella, is prone to daydreaming. When her parents divorce her daydreaming interferes with her classroom attention. Her teacher recognizes that she is coping with her parents separation through daydreams and he helps her to channel them in a productive manner. The adults recognize that Gabby's daydreams make her a vivid writer as Gabby learns to write she discovers her own voice and self in her words.

Gabby dreams in order to escape from her parents arguments. Later they take over her thoughts so much that she frustrates her mom and teacher who need her to focus more on tasks at hand. At first they try to get her to stop daydreaming altogether, but she becomes so unhappy the teacher tries a different approach telling her to "slide her daydreams in a drawer." He acknowledges the importance of dreams but tries to help her see the importance of paying attention when he's teaching a lesson. When he catches her writing a daydream down he is excited by the quality of it. He decides to give students 15 minutes a day to write down their daydreams. Gabby's mom also recognizes that her daughter's writing and daydreaming are a worthwhile activity. Gabby is powerless in school and her daydreaming gives her some control of the world around her. It was refreshing to have the adults learn from Gabby and reminded me of how much the students at my school have taught me or inspired me to be better at what I do.

The font changes in the story when the reader is in Gabby's dreams or she has a flashback to what it was like when her dad lived with them. These shifts have some gorgeous metaphors and word choices. One of my favorites is Waterfall: "Say 'waterfall,'/ and the dreary winter rain/ outside my classroom window/ turns to liquid thunder,/ pounding into a clear pool/ miles below,/ and I can't wait/ to dive in."  Talk about giving words wings. I love that image of "liquid thunder." This would make a good read aloud for grades 4-5.

4 Smileys

Sunday, March 2, 2014

After the River the Sun by Dia Calhoun

As a kid, my best friend and I would act out books we had read. Nancy Drew in "The Secret of the Old Clock," meant solving a made-up mystery and climbing the neighborhood church bell tower. "Banner in the Sky" meant freezing water on our steep backyard hill and chiseling our way up "Mount Everest." (My best friend still bemoans the ruin of her Swiss army knife hammering it into ice.) The Narnia Chronicles meant sword fights, choking down clam chowder (we were at sea and had to suffer), and suffocating in a coat closet during the heat of summer trying to wish the back of it would transform into an alternate world with fauns and witches. Acting out books was great fun and I got grounded a few times. My best friend rarely got in trouble and I remember asking her mom why as an adult. "I thought it was healthy that you both were using your imaginations." This story has Eckhart and Eva using their imaginations by acting out King Arthur stories, pretending they are knights on a quest. In reality, Eckhart is trying to deal with the tragedy of losing both parents in a rafting accident. He feels guilty over their deaths and must find the courage to forgive himself.

Eckhart Lyon is taken in by his uncle Albert after spending four months in foster homes after the death of his parents. Uncle Al says he'll take Eckhart on a trial basis. Al and his sister, Eckhart's mom, did not get along and Eckhart doesn't even know Al. Eckhart likes to play video games and is not an outside person so moving to Uncle Al's house is not easy with its lack of T.V., Internet, and other modern comforts. Eckhart has to work on Uncle Al's orchard farm and it takes some getting used to. He misses his parents desperately and keeps his mom's violin that she played in the Seattle symphony close at hand to remind him of her.

Uncle Al is dealing with grief like Eckhart although his tragedy happened three years earlier. Eckart discovers why Al and his sister no longer spoke to each other although there must be more anger to it because Al didn't even go to the funeral of his sister. With the help of Eva, Eckhart decides to go on a quest like Sir Gaiwan in the King Arthur books and find a home and find the courage to face his fears. He must decide whether or not he wants to live with his uncle who is not the most open and welcoming man. In an exciting climax Eckhart learns what sacrifice means and finds hope for his future.

When a relative of mine died tragically, the family would light a candle in his memory at  significant events or holiday gatherings. Memories of the person swirled with smells of turkey and gravy while the candle flame bent and twisted by the unseen air currents on the table. While our hearts were heavy, this ritual somehow lightened the heaviness inside me. When Eckhart builds the Tower of Troth and describes his feelings, it reminded me of our memory candle and raw grief. Uncle Al is dealing with grief as well and is an interesting contrast to Eckhart. In an interesting twist, the adult seems to be dealing with his loss in a manner less healthy than Eckhart.

The characters are well developed in Eckhart and Eva. Uncle Al is harsh, bitter, and withdrawn at the start. He has a chip on his shoulder toward his sister that makes him angry at Eckhart. He's dealing with guilt over his loss like Eckhart, but the reader isn't privy to his point of view. He angrily chopped down an orchid three years earlier and it would appear he is still mad. That is why his transformation of accepting Eckhart at the end seemed a bit sudden. While he is healing from grief and shows some internal changes as he begins to write stories again and smile more often during the day, his actions at the end and use of alcohol suggest that there may be some deeper issues he must deal with in his grief. The fact that Al's actions just about killed Eckhart, made me expect more from the resolution. It's fine, but felt a little incomplete.

The plot is straightforward and not too complex. The author has nice pacing with giving out information that keeps up the tension while the reader pieces together what happened on the river with Eckhart and his parents. At 350 pages long, this novel-in-verse can be read fairly quickly. The violin twist and use of music as a way to sooth also adds to Eckhart's emotional journey of learning to accept the tragedy. An excellent grade 4-5 story.

4 Smileys

Thursday, September 26, 2013

The Weight of Water by Sarah Crossan

I decided to read this after reading a Goodreads reviewer said they liked it as well as "Code Name Verity." Not that the two books have similar plots. They don't. They are charged with emotion and strong protagonists, but "The Weight of Water" is written in verse about a Polish girl who struggles as a newly arrived immigrant in England. This well-deserved Carnegie nominee is for older students with layered messages regarding friendships, boyfriends, bullies, divorce, English language learners, infidelity, abandonment, and more. Pretty amazing that the author pulls it off in just over 200 pages using precise word choice that conveys so much depth in a short amount of space. When Kasienka describes her parents fighting, "Together they are tuneless; /The sounds they make are ugly,/ Like knives being sharpened/ Against stone./ Together they are waxwork statues;/Recognizable/But lifeless," she knows that her mom unfairly blames her for their problems.

Kasienka loves both her parents but knows that her mom needs her more than her dad. When she is given the choice to live with one or the other she feels guilty even thinking of deserting her mom. Even though her mom is depressed, does not listen to Kasienka, does not help her with issues at school, she is loyal to her and loves her. The book shows how Kasienka deals with her problems by swimming and making choices that are opposite of how others have treated her. She represents goodness and is easy to sympathize with and root for in situations. Many chapters could be read as a stand alone if a teacher wants to discuss themes such as prejudices, bullies, or sports as a positive outlet. 

The verse on water is particularly beautiful as a symbol of silence for Kasienka and being free from her troubles. Even though she has the weight of water on her shoulders, she can lose herself in a sport that she excels at above all others. She gains confidence through the course of the novel from her boyfriend, William, her friend, Dalilah, and swimming that allows her to stand up to a class bully and gives her some measure of control in a life buffeted by uncontrollable adults.

I work overseas and think students will be able to relate to some of the issues Kasienka is dealing with - I know that I can relate to being an illiterate foreigner. I, too, have my stories of prejudices whether it is someone refusing me service because I am Caucasian to a teacher kicking me out of language class because she was embarrassed by my horridly slow progress. While Kasienka was dropped only one grade I would have been dropped many more if the roles had been switched. Learning languages for me is like mixing oil and water. I had great sympathy for Kasienka who was bored being in a grade level that was too low. 

The chapter called, "July 7" confused me. I should know that it is England's "September 11" but I am not the best with dates. I assumed it was some bombing and the fact that Dalilah was Muslim, but the chapter confused me as to who was speaking to whom. I had to reread it. The gist is that Dalilah is now being bullied instead of Kasienka. There's always a new victim by intolerant people. There are also the silent ones who don't say anything. Kasienka thinks on how she ignored that new kid in school when she lived in Poland and had her own friend. I found the Chapter, "Group Work," spoke to my conscience as a teacher and how I group students or separate them in a way that can be insensitive to their needs. 

The author has many messages but I particularly liked how she captures the complex nature of bullying from the main person picking on someone to the victim and bystanders. Kasienka observes, "Claire stands in the center/ surrounded by thick circle of girls/ I can feel the desperation/ The thirst for admission /It is a dance for popularity/ Swapping places every day/ Knowing that tomorrow any one of them could be out./ Maybe it's lonely for Claire there in the center/ Directing the dance./ She ignores me again,/ Which is better than being bullied./ Dalilah and I stand together side-by-side./There is no one in the center,/ We're just looking out/ In the same direction/ Not desperately at one another/ Fearing betrayal." Learning to stand independently and with confidence is hard enough when growing up, but take away the language, culture, and familiar surroundings, and courage is exposed at its best.

4 Smileys

Wednesday, November 28, 2012

May B. by Caroline Starr Rose

I blew through this novel in verse like a blizzard on the prairie. This pleasant, fast hour and a half read will be great for students; however, it didn't quite work for me. May lives with her family on the Kansas prairie and is pulled from school so she can make money working for a newly married couple. The bride is young and surly toward May. It isn't clear if she is a mail-order bride (she says she isn't but it seems that she is) or daughter of someone wealthy. I wasn't sure the significance of the red dress except it was impractical. The bride came from Ohio and is depressed living isolated on the prairie in a leaky-roofed sod house. Seems like she was a city girl (or saloon girl in a red dress). I wasn't sure if May was supposed to be a companion to the bride or just a house maid. May isn't happy to be in the new household working either. She wants to be in school learning and longs to be home with her parents and brother. I thought the two lonely females would be drawn to each other, but that is not to be. When things go horribly amuck with the newlyweds, May has to learn to survive in a hostile environment.

The author does a nice job with the feel of the prairie and remoteness.  I was a little confused as to the stories time-frame  At the end of the book it said May was gone for five months which let me calculate that May went to the other family in August. May's family needs money which is why she is sent to work 15 miles away. Before going, we see the rapport she has with her brother and the nice mixture of sibling rivalry with her being jealous of her brother at times and them enjoying each others company at other times. 

I needed more tension between characters. I was interested in the bride and May but the interaction ended too soon. Their unresolved feelings left me with wanting more. I did like the twist at the ending in regards to the bride's husband. My interest waned in the middle when the action dropped and the story-line switched to flashbacks about dyslexia and teachers shaming May. The flashbacks aren't really crucial to moving the story forward and it seemed like old information as a result. That's why I lost interest in it anyway. You decide for yourself. 

I haven't read many novels in verse and it seems very difficult trying to provide a tangible setting and well-rounded characters as opposed to prose. The limited use of words in a poetic format make it easy to not give enough information. Add to that the challenges of line breaks and rhythms that make for a clear narrative arc and I have to say I admire those who tackle this type of structure when writing a book. As a reader, I have noticed that with novels in verse I look for the overall effect of both the story and words. Some books I notice the poetic images and words; whereas in other books I notice the narrative arc and not so much the words. Others I notice both. In May B. I noticed the plot more than the stanzas. In the end, I found that I just wanted more to the story with the plot and characters.

Reading Level 3.7
3 out of 5 Smileys


Saturday, October 6, 2012

Under The Mesquite by Guadalupe Garcia McCall

Enjoy the words in this novel-in-verse as they unfurl and scoop you through the inked pages. Lupita, the oldest of eight children, learns to deal with her mother getting cancer as a high school student. Lupita's family lived in Mexico before moving to the United States. Fluent in both English and Spanish, Lupita, poetically narrates this story enriching the text with a beautiful blend of two cultures and languages. The chapter, Uprooted, can stand alone as a free verse poem. "I doubted los girasoles [sunflowers] would understand me anymore, because now I was speaking a different language. I swallowed consonants and burdened vowels with a sound so dense, the words fell straight out of my mouth and hit the ground before they could reach the river's edge." The author's frequent use of nature-based metaphors and similes reminds me of the Romantic poets.

Part One shows the family learning about mom's secret.  The frightened Lupita barters with God that she'll become a nun if he will let her mom be free of cancer. She goes so far as to tell the nuns at church she wants to join their vocation. When the nuns show up at their house, her mom says, "No!" Part Two is a flashback to when they lived in Mexico. Sometimes I am impatient with flashbacks because it feels like the story is being interrupted and the pacing slows too much. I felt that at this point in the story. We just find out Lupita's mom has cancer and then I'm reading about Lupita being told she can't go play with her friends Mireya and Sarita but has to play with her sisters. It didn't seem to move the plot forward but the author is showing that Lupita's mom expects family to come over friends. It is one of the reasons Lupita became a caretaker of her siblings as the cancer progressed, weakening her mom and drawing her dad's focus to be solely on taking care of her mom. At one point Lupita is taking care of the seven siblings while her dad takes care of their mom at the hospital six hours away. Lupita scrounges for food and tries to keep tabs on everyone as a 17-year-old. Her success is meager.

Part Three, Four, and Five have more action and are emotionally charged as the family deals with their moms cancer. Many times I found myself making connections with the verses to my own life. For instance, my dad and his actions toward me as he deals with my mom's Alzheimers: "Many times, though, / his anger is nothing more/ than a change of weather - / a blistering breeze, / a pool that's cooled -/ and he doesn't want to talk/ to anyone about it./ So now, not knowing / which face of sadness/ he might show, I play it safe/ and leave him alone." The rich evocative passages and unique images make reading a delightful traipse.

Lupita changes internally from putting her family first to putting herself first. She realizes that she must move on with her life and dreams, while holding onto hope and memories. This is at the end and the change seemed somewhat abrupt. She comes to a realization at her Grandma's house, but I needed one more chapter to show her thinking about how to communicate with her dad who she knows will resist her wanting to go to college. Up to this point the parents have supported college, but now dad doesn't. I can infer why but I felt it needed to be told from Lupita's viewpoint why dad is having a change of heart.

It did cross my mind that there is quite a bit of content that is going to appeal more to girls than boys. Lupita likes to watch soaps with her mom, thinks about clothes, puts makeup on her mom when she is sick, and cooks, cleans and watches her siblings. The theme of friendship is touched on when she gets into a fight with Mireya and Sarita about loosing her accent and trying to act white. Lupita uses drama to deal with her mom's cancer and her teacher gives some wise advice as she copes. While this is a short novel, it has a higher vocabulary and might be confusing for some readers with no prior knowledge of Mexico and its culture. The glossary will be helpful for defining words. A wonderful novel debut.

Reading Level: Young Adult
4 out of 5 Smileys