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Tuesday, November 22, 2016

The Sellout by Paul Beatty

A dense, award-winning book that relentlessly satires cultural identity, politics, philosophy, pop culture, etc. Paul Beatty goes all-out in a rapid-fire funny and tragic riff; an improvised verbal flood of words on race - at times incomprehensible to this white reader, and other times fascinating. I say, white reader, because much of the slang and cultural references went "Whoosh," over my head. Not that this matters. There is plenty for everyone to eat. Can't say I loved it or hated it. I did admire it. It is a weird mix of comedy, tragedy, and existential absurdity that reflects the current breakdown of gender and racial roles in society and the waffling identity of people trying to figure out their meaning in the world whether black, Muslim, female, transgender, etc.  Behind the laughter is a slashing anger that addresses loss, failure, and flawed institutions on all levels. The serious side is masked by riffs and an absurd, subjective plot. This novel doesn't use familiar literary structures or conventions so if you looking for an alternative read, I recommend it.

The story begins with an African-American nicknamed, Bonbon, being charged by the U.S. Supreme Court for owning a slave and implementing segregation in the community. Bonbon's father was shot by the Los Angeles police and Bonbon received a settlement of two million dollars. He used the money to start a farm mainly growing watermelons and weed. Hominy, a depressed and retired actor who worked on films portrayed in racist scenes on the defunct TV series, The Little Rascals,  has lost his cultural identity and attempts suicide. Bonbon takes him on as his slave and Hominy no longer has an identity crisis. He knows his place in the world once again. 

Meanwhile, Bonbon's town of Dickens has disappeared; eaten whole by the LA suburbs and erased from the maps. Bonbon resurrects the town by instituting segregation. It reminds people of the past and how far (or not) they have come in the world from slavery. Bonbon asks repeatedly, "Who am I? And how can I be that person?" and "Who am I? And how can I become myself?" Philosophers, theologians, psychologists, and sociologists  have been asking this question for a long time as it establishes a sense of identity. Karen Coates, in "Keywords for Children's Literature," explains how a modernist culture sees identification as a composite whole versus a postmodern culture that emphasizes not a continuous identity but one that continually changes. The characters represent this notion of identity in a vague and multilayered way with no direct answers. 

Beatty masks what side of the argument he stands for with humor. I found it difficult figuring out what his point was at times or if his point was to not have a point. In the last chapter, Bonbon is at a club listening to a black comedian who rips into a white couple sitting in the first row. Bonbon describes the white people as trying to understand the black comedy but obviously not getting it. When the comedian says, "'This shit ain't for you. Understand? Now get the fuck out! This is our thing!'" Bonbon responds by wishing he'd stood up to the man and asking, "'So what exactly is our thing?" At first, I thought maybe the author was making a point that he doesn't want assimilation between races, but this didn't follow the themes Beatty points to throughout the story. Instead, I think it ties in with the theme of identity and Bonbons constant "Who am I?" question. The scene shows how the white couple is not aware of their actions nor are they sensitive to the culture they've stepped into in the club. They choose the center row where they are most visible and they laugh at all the wrong jokes at the wrong times. Beatty cynically seems to be implying that things really don't change, a recurring theme that has a steady beat from beginning to end.

The slim plot piles ridiculous situations upon even more ridiculous situations reminding me of my University of Minnesota class on the Theater of the Absurd. Bonbon's existential look at an individual's place and meaning in the world are humorously approached in absurd scenes that make the reader laugh but belie the tragic seriousness of many explosive issues. I'm not sure if Beatty means to shock the audience into action or just become more self-aware of their identity regardless of race and color, but either way that is the effect it had on me. 

The characters are often dealing with losses and failures in life where they seem to have a moment of clarity only for it to disappear in a poof of inaction or incapability to articulate the battle. Bonbon takes offense at guest-speaker, Jon McJone's, nonsense about an African child in slavery being better off having two parents as opposed to today's one parent home. Bonbon thinks to himself that McJones doesn't talk about how people were forced to marry each other during slavery times, how divorce wasn't an option, and how kids were sold off at the whim of the masters. When he tells McJones he's full of crap, Colin Powell says "Like you wouldn't rather be born here than in Africa." Bonbon takes offense at this nativist view that unfairly makes light of the suffering the original slaves went through; however, King Cuz stands up and does the fighting for him. Bonbon, nicknamed "The Sellout", just walks away in the middle of the argument. Oftentimes when Bonbon speaks up it falls on deaf ears. He appears to fail and takes drastic measures to make a point. 

While Bonbon is compared to a cupcake, he is not soft and his actions usually go in the opposite direction of how another would approach these issues. He is questioning the identity of black people by reinstating the past. When Hominy asks to be his slave, Bonbon recognizes that Hominy needs his past identity to find stability in himself. It also reminds people of the need for freedom of choice. Bonbon raises segregation on a bus which reminds people of all they fought for in the Civil Rights Movement to get to the present. When he segregates education it is the white people that want to get into the black school, not the other way around. Loss of freedoms. Loss of identity. Loss of respect for each other. Ultimately Bonbon's losses and failure climax at the Supreme Court where he is charged with violated the 13th and 14th Amendments. He does act in the end and he does make a point and finding himself and meaning in the world. 

Having read "Between the World and Me" by Ta-Nehisi Coates and "The Sellout", I find that they both have this underlying anger toward institutionalized racism, except Beatty's book moves beyond the black issue and picks up what it means to be human. The question regarding the meaning of life gives the theme of identity a universalness that applies to more than just the black race; plus, Beatty's emphasis on self-awareness is one that suggests people can move forward. Coates does not offer any hope in his book. At least I felt more like an outsider looking at the back experience versus Beatty's look at racism in general. If you don't give a dickens to whether or not the characters are underdeveloped and the plot is ghostly, but want political incorrectness, laughter, and a mix of intellectual and vulgar street talk then give this a go. It is definitely an original.

5 Smileys

Monday, November 7, 2016

The Hammer of Thor (Magnus Chase and the Gods of Asgard #2) by Rick Riordan

Norsk myth is not as vast as Greek or Roman myth when it comes to the gods. The fragmented Skaldic poetry is difficult to decipher with its kennings and the narrative framework is skeletal at times. However, they are rich in meaning showing pre-Christian beliefs and practices in a dramatic narrative. A good storyteller retells the myths in new versions that are their own but also represent the originals. Rick Riordan does just that crafting heroes, gods, goddesses, and giants from myths that are a twist on the original tales with contemporary conflicts and pop culture adding humor and unique characters. Take Heimdall, the god that guards the Rainbow Bridge; he loves to take selfies on his phablet and checks out the world only through those selfies. He's bored and no longer doing his job particularly well which is to listen to threats in the world. The heroes of the story have to coax him back into doing his job.

Riordan layers his characters with themes presenting them as entertaining stock characters or contemporary ones giving depth to the story. Thor is presented as an egocentric dork that loves to stream movies and take the credit for everything along with his wife, Sif, who is vain; yet, both come through when needed by the heroes. Thor was the most popular god for the average person in ancient times. In the Icelandic Sagas by Snorri Sturluson, the adventure he tells of Thor and Loki where Thor poses as a woman marrying Utgard-Loki is full of humor and loss of face for Thor. Riordan weaves this story brilliantly into his plot so that the humans have to face the similar issues, but with the help of the gods are able to outwit the giants.

Riordan also peppers his stories with strong females. The Utgard-Loki marriage shows the female giant is the brains of the operation. The children of Loki are gender fluid characters, Alex and Sam. They are complex, strong, and vulnerable as they search for their identities. Alex can't control her gender changes and has suffered prejudice from others her whole life. It makes her or him aloof and temperamental, but Alex embraces his or her identity and is more confident than Sam, her sister. Sam is gender fluid as well but has never changed into a boy. She is a devote Muslim that works for the gods and while her religious identity is solid her personal identity is shaken as Loki can control her.  Alex says it is because she has not embraced her gender fluid side. Her character arc is not finished and it will be interesting to see what happens in the sequels.

The Viking myths, according to Kevin Crossley-Holland in "Norse Myths," relied on the family unit as they were stronger as one versus individually. They were fiercely loyal to friends and family and they strongly believed in Fate; however, Fate didn't give them a negative outlook - instead they admired those who laughed or endured a noble death. Riordan captures this in his books. The overarching message is that the protagonist, Magnus, values family whether they are blood relatives or not. His adventures carry the strong theme of courage, loyalty to friends, and embracing diversity in each other.

Skaldic poems contain myths, eulogies, and elegies that celebrate people or gods during the 9th to 13th century. They are difficult to understand because of their metaphorical references to contemporary people. The word, "gold," might mean "Freya's tears," and a modern-day reader would have to know the story of Loki tricking Freya by cutting off her hair and replacing it with gold to understand the poetic line. Riordan pokes fun at kennings making up his own or using some originals. My favorite made-up line is directed at Thor, who is referred to as, "Bright Crack" and Alex making a wisecrack about a "Plumber's Crack". Actually, Thor's hall is called, "Lightning Crack" or "Bright Crack" or "Bilskirnir".  Other metaphors difficult  to interpret are: "Bane of wood", that means, "fire"; or "bloodworm", that means "sword." Riordan adds much humor using irony and play-on-words.

The story of the cursed ring  is cleverly worked into the plot (I guess if I had to make up a kenning I'd call it, "Andvari's tears"). It takes the original Norsk tale and places it in a realistic portrayal of a deaf elf whose father has rejected him and blamed him for the deaths of his son and mother - a universal theme that readers can relate to today as much as in ancient times. The ring corrupts the bearer in both the original and here, and the reader will have to wait for the sequel to see what happens to the elf's father. Between Sam's unfinished business and the deaf elf, I'll be picking up book three.

4 Smileys

Friday, October 28, 2016

How to Read Literature Like a Professor by Thomas C. Foster


I have two books at home that tangle with the concept of intertextuality in children's literature. It's not supposed to be a tangle, but I can't understand most of the scholarly writing. Thomas Foster simplifies some complex literary theories, such as intertextuality and Northrop Frye's discussion of literary archetypes. The conversational tone, humor, and manageable chapters make this an excellent book at showing what students or reading enthusiasts should be looking for in literature to get a deeper understanding and analysis of texts. He shows what elements make a book distinguished and while he acknowledges that he can't discuss them all, he does give some universal ones that readers can look for while reading. This is a terrific read for developing critical thinking skills in literature.


Twenty-seven chapters give bite-sized advice as to how to get more meaning out of texts. He shows how to look for common metaphors, themes, historical settings, literary forms, symbols, history of literature, pop culture, and more. If an author keeps mentioning a Greek myth, the pattern should reveal a larger truth about the overall message of the text. If certain images keep coming up, what is the author saying about the character or theme? He brings the elements and theory all together at the end in a wonderful analysis of a short story. He shows a reader's response that is based on a surface reading, then another student's that is more in-depth. Last, he analysizes the story using theory and elements with the aplomb and mastery of one who loves his topic and has studied it his whole life. A must for your library.


5 Smileys



Pride and Prejudice by Jane Austen

It's hard writing about classics, especially if you don't particularly like the story. Even with its elegant phrasing and kooky characters, Pride and Prejudice is mostly dialogue, romantic, and full of irony - which was amusing at times, but I got bored with the lack of action and just felt bad that the only prospects for women during the ninteenth century were marriage or spinsterhood. But in all fairness, I had to stop listening to this audiotape with modern sensibilities and employ some empathy for its historical time period. The limited choices of Victorian women made for an interesting glimpse into the past and much of the protagonist, Elizabeth Bennet's, dialogue is ironically against the Romantic notions and trend of her times; her female protagonist is an intellect instead of a highly emotional being with great natural beauty. Jane Austen is admirable in that she pushed against prevailing winds creating unique characters. Once I focused on the irony I was able to enjoy the humor and extremeness in the characters and able to finish listening to the audiobook.


Twenty-year-old Elizabeth is second child of the Bennet's five daughters. She has the choice of being married to a man she doesn't love or refusing him. She is witty, judgmental, and independent. Elizabeth can't get a job and if she doesn't marry she is dependent on other relatives to take care of her. Because her father only has daughters his estate will be passed onto his nephew and his daughters' futures are uncertain unless they marry for financial stability. Elizabeth's mother sees marriage as the only solution, and when the unappealing Mr. Collins makes her an offer that will keep their home in the family, Elizabeth forcefully turns him down; she wants to marry for love. Prospects for women during this time period were to marry, manage a household, and education was not a priority. Elizabeth has educated herself from her father's library and has enough impertinence to show her intellectual wit but not be offensive.


Elizabeth prides herself in her ability to judge other characters but is quick to reach conclusions based on gossip and heresay. The result is a prejudiced character that shows a lack of moral wisdom in an otherwise bright person. She's not exactly likable but she also mirrors how people can judge others quickly with first impressions and how class divisions can lead to prejudices. The object of her prejudice is Mr. Darcy, an upper class wealthy man that acts too good for others when she first meets him. She is of a lower class with her less rich family and money is a strong theme that streams throughout the story. Mr. Darcy's pride at his wealth causing him to snub one of Elizabeth's sisters at a dance and later he is gossiped about negatively by most people Elizabeth knows in her social circle. The gossip is extreme and turned me off until I realized Austen was being ironic.


Elizabeth changes by the end and addresses her pride and prejudices as does Mr. Darcy. Their character arcs show irony in their foolish behavior and hypocrisy. The supporting characters are almost allegorical in their support of Elizabeth's prejudice and Mr. Darcy's pride. From the first time we meet Mrs. Bennet she reveals prejudices in her preconceived opinions of others that are not based on reason. She's a buffoon and adds humor with her obtuse behavior. Lydia, Mrs. Bennet's favorite daughter is just like her mother. She runs off with a man of questionable intentions and doesn't even realize the risk she incurred by living with a man for two weeks. A woman with a ruined reputation can be disowned leading to financial and social ruin. Lydia doesn't even realize the precipice she was on when she gallivanted off with Wickham. Lady Catherine is prejudiced against Elizabeth's lower class and self-absorbed.


Mr. Bennet, on the other hand, detaches himself from his wife's mission of marrying off his daughters. He represents pride and is satisfied with his own achievements not worrying about his daughters' future. Mr. Collins represents pride in himself and his money to the point that he plans on "buying" his bride whether she loves him or not. Elizabeth refuses his marriage proposal and he is so full of himself he thinks she's playing hard-to-get. These are just a few of the many characters that embody the moral implications of displaying pride and prejudice; except Elizabeth and Mr. Darcy are the two that actually change their ways. A richly layered book, great study of irony, foils, and easy to see why it is a classic.


5 Smileys

Tuesday, September 20, 2016

Bone Gap by Laura Ruby

From the get-go you know this is going to be a different story with the first line of chapter 1: The corn was talking to him again. A mix of fairy tale, Greek myth, mystery, science and realism, Laura Ruby creates a tale of her own that doesn't quite adhere to any one genre. I'm not sure how my realistic, non-fantasy reading buddies would like it (Angela and Karen). It worked for me and reminded me a bit of a young adult version of "Breadcrumbs," by Anne Ursu. Layers of meaning are honeycombed throughout the plot making for discussions on abuse, bullies, definition of beauty, treatment of women, disabilities, parental absence, peer pressure, and more. The imagery, word choice, and symbolism found in the bees, names (or lack of), agrarian setting, and myths of past literature enrich the plot and make for a page-turner targeted toward middle school, high school, or adult readers. This goes on my burn-the-dinner list.

Eighteen-year-old Finn O'Sullivan doesn't look anyone in the eye, but the small town of Bone Gap accepts his idiosyncrasies until the day Roza disappears. As the only eye-witness, Finn watched her leave and is not sure if she went of her own free will or was kidnapped. Finn along with his older brother, Sean,  try to cope with two people abandoning them in their lives. Their mother had left them for an orthodontist a few years earlier spoiling Sean's plans to go to medical school and leaving Finn in his care. Finn can't describe the man Roza left with in great detail and blames himself for letting her go or not rescuing her.

The various points of view include Roza's story that takes a magical turn when her abductor does the impossible of creating alternate worlds and answering her any wish, (except the only one that matters which is to set her free). The author shrouds Roza in mystery slowly unveiling her past, providing good pacing and tension. When a magical black horse shows up and Finn takes interest in Petey, an unattractive peer, the mystery or myth starts to unfold and take shape drawing all the different elements and genres into a satisfying ending.

*spoiler* I'll try not to reveal too much of the plot.

Comparisons with the Greek myth of Persephone and Roza are obvious. Persephone represents the harvest and fertility of vegetation. Much imagery is devoted to Roza who can grow anything in the boy's garden, goes to school for botany, and whose plants wilt and die after she leaves. In the myth Persephone's beauty draws unwanted attention from other gods and when Hades kidnaps her she becomes Queen of the Underworld. Roza's preternatural  beauty causes her to be abducted by a man in a black SUV who gives her anything she wants but won't let her leave his domain; there is even a reference to pomegranates. Roza has had to deal with unwanted attention from men in the past and she reflects on it while imprisoned.

When a magical black horse shows up at Finns house, he and Petey take some midnight rides that don't seem quite real as the horse leaps distances that are impossible. I knew I was missing the significance of this reference and it wasn't until I read a Maile Meloy's New York Times article  did she remind me that Persephone's mother, Demeter, went in the form of a black horse. She's referring to the myth where Poseidon raped Demeter when she was searching for Persephone; they were in the form of horses and she became pregnant from the episode. The river in the book is surreal too and reminded me of the River Styx.

The subplot of Finn falling in love with Petey and the idea of beauty evolves throughout the story. Roza and Petey are judged by their appearances but the two do not let the world define them as such. Roza is competent and practical. She can stitch up a gash, grow enough food for the three, and jump out of a moving car to save herself from unwanted attentions. Petey, who is considered ugly, determines that she is interesting, even beautiful, inside. The way Petey reflects about this through the science of bees is fascinating and not overly technical.

Finn and Sean, as characters, must deal with male expectations. Sean is expected to be a conventional hero and save Roza, but he is broken and hurt inside from being abandoned by his mother. Finn, being good-looking and "pretty", is attracted to what society would label an unattractive girl. Both boys have to come to terms with societal versus individual expectations and find the courage to be true to themselves. The author's deft character development is one of many elements well done in this tale. Don't miss it.

5 Smileys

Friday, September 2, 2016

The Fellowship of the Ring by J.R.R. Tolkien (BBC radio dramatization)

Three strikes in three decades is my score for trying to read, "The Lord of the Rings." The pacing at the start puts me to sleep. I struggled with "Slaughterhouse Five" as a college student, but later listened to the audio book  and was able to finish it. Ditto Shakespeare. This audio book on "The Fellowship of the Ring," was a winner and the dramatization included music and sound effects that slammed the door on my problems with pacing or focusing issues. I listened each night on the elliptical machine and found it hard to turn off. A study in high fantasy with a classic hero in Aragorn and a common hero in Frodo.

Frodo Baggins, a Hobbit, lives a comfortable life in the Shire and has inherited the Ring of Power from Bilbo Baggins, the hero from "The Hobbit." When the wizard, Gandalf, comes to his house and reveals that the evil wizard, Sauron, is after the ring to control all the earth, Frodo sets out to destroy the ring. He is an unlikely and simple hero aided by friends, including the most heroic of the men, Aragorn. The task of the ring falls on the weakest of them, a hobbit who would prefer not to sacrifice himself, but he rises to the occasion and is the only creature able to resist the ring because he is not drawn by desires to seek power and worldliness. His naivety and simpleness make him the best candidate for success at destroying the ring as Gandalf and Aragorn both know when Frodo offers the ring to them and they realize the the power would be too tempting for them. Frodo's lack of desire for power makes him the best candidate for the quest.

I read a terrific book, "A Hobbit, A Wardrobe, and a Great War: How J.R.R. Tolkien and C.S. Lewis Rediscovered Faith, Friendship, and Heroism in the Cataclysm of 1914-18" by Joseph Loconte that shows how the Lord of the Rings trilogy is an allegory for World War I with the Hobbits similar to common soldiers and Aragorn and Gandalf similar to military and political leaders making decisions regarding the war. It is a fascinating look at history and analysis of J.R.R. Tolkien and C.S. Lewis's novels. It was one the main reasons I decided to try and read the book again. The hobbits are like the common soldier and don't really know what danger they are approaching, but they have each others backs no matter what and are willing to die for one another. Gandalf and Aragorn are like the world leaders involved in the war.

I still think the start is slow before launching into the quest and picking up in excitement. But this time the audio book helped me be patient. I think Tolkien's in-depth background development of the Shire is to show the domestic contentedness of the hobbits and their lack of desire to be heroes. They are drawn into a battle that they have no desire to be a part of. Because they like simple pleasures and are not tempted by power as most of the other characters in the book, they show the common person as being the hero and this allows the reader to empathize with them.  Aragorn proves his king-like qualities not by physical strength but his handling of the hobbits when he first meets them by playing on their fears and then using wit to ingratiate himself before revealing his letter from Gandalf.

It's the hobbit show, not Aragorn's victories in battle, that save and endear the reader. Frodo incorporates the high qualities of Aragorn's world and the hobbits because he is the wisest and bravest in that he is humble and admits his fears but still strikes forth on the quest to destroy the ring. This is why he is chosen for the task. Only he can resist the corrupting power of the ring to at least get it to the edge of the fire until powers beyond his control destroy it.  Even Frodo cannot resist the temptation of the ring. Tolkien's world building, character development, linguistic genius is astonishing in its brilliance, as most of you know. If you are having problems getting through a book, try an audio book. It felt like a home run this time round. 


Saturday, July 30, 2016

The Wright Brothers by David McCullough

On a date with my husband 33 years ago we went cross country skiing at a challenging and hilly course. He had skied the Birkebeiner in Wisconsin and was on the cross country ski team in high school. On one steep, icy hill my ski went out of the track into the opposite one for oncoming ski traffic going up the hill. Straddling both tracks and yelling I had a spectacular crash at the bottom that released my skis like javelins in all directions. He skied down the hill like he was on ice skates, swished both skis together to a full stop and extended a hand to help me up. My cross country skis have a high or stiff camber that allow me to fly down hills completely out of control at high speeds. Great fun. Orville and Wilbur had problems with camber in the second design of their plane as experiments up to that point had a camber ratio that affected stability and caused the plane to crash. Their patented wing warping design had them experimenting with the camber to discover the ideal ratio for their gliders. The camber issue made me think of all my skiing fiascos.

One strength of this book is showing how the Wright brothers experimented, tested, improved, and did not give up in their pursuit of flight. They represent the engineering design process that educators teach to students in elementary school and up. And the author mixes in the human side of the Wright family with their aeronautical achievements to make a highly readable, educational, and entertaining book. As public figures, Orville and Wilbur did not seek nor celebrate fame, but were true to their sole purpose of learning to fly. Their sister Katharine was high-tempered ("wrathy"), opinionated, loyal, and caring. She was the spitfire of the three and added color to the the brothers' story. Wilbur was brilliant and Orville a mechanical genius. The family had arguments but was mainly close and supportive over the years.

The Wright brothers had a successful bicycle business for many years before the idea of flight consumed much of their time. They built a glider and tested it at Kitty Hawk, a rugged island on the Outer Banks of North Carolina where the wind always blew. Living out of a tent they refined and tested their planes eventually succeeding at flying one. They added an engine later in the designs. Katharine helped manage the bicycle business while teaching at a nearby hospital and Charlie Taylor ran the shop while they were at Kitty Hawk as well as being critical in building the engine the Wrights' used on one of their gliders.

Once they had accomplished successful flights, the Wrights had problems with legitimizing their claims of success with the U.S. government. Part of this was their way of going about business. The brothers were afraid of others stealing their ideas and were waiting for a patent so they would not fly for anyone unless the interested party signed a contract before their demonstration. The U.S. government was not interested in their proposition, but France was and Wilbur went there for demonstrations and a contract. The publicity made the U.S. take interest. Later the U.S. army offered a contract and Orville provided demonstrations. After a serious crash, Orville was nursed back to health by Katharine while Wilbur continued with demonstrations in Europe. Orville and Katharine joined Wilbur in Paris and they met with kings from different countries and other influential people. They were a sensation and enjoyed the fame while their father, a Bishop, continually reminded them to stay grounded.

The Wright brothers were self-educated and persevered no matter what the set back. Their educated father had an extensive personal library that allowed for the children to read the likes of "Dickens, Washington Irving, Hawthorne, Mark Twain, a complete set of the works of Sir Walter Scott, the poems of Virgil, Plutarch's 'Lives,' Milton's 'Paradise Lost,' Boswell's 'Life of Johnson,' Gibbons' 'Decline and Fall of the Roman Empire,' and Thucydides. There were books on natural history, a six-volume history of France, travel, 'The Instructive Speller,' Darwin's 'On the Origin of Species,' plus two full sets of encyclopedias." Once back in the U.S. the brothers, particularly Wilbur, spent many years on patent lawsuits that David McCullough skims over. This is a fairly short book and is not highly technical. This may appeal to some and to others they might want less camber. The pacing and mix of technical and human side of the Wrights was just right for me. See if it's Wright for you.

5 Smileys